The film makes a home in your brain and the only cure is to see it again.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Great movie. Not sure what people expected but I found it highly entertaining.

I like spaghetti westerns - I'll watch any that cross my path and I'll almost certainly enjoy it. Though I have to admit that "10,000 For A Massacre" is one of the strangest spaghetti westerns I've seen in quite a while. There are some real surreal touches here and there, from the music to an often dreamy feeling generated by the director. The story is also unusual; while it more or less starts off with a standard spaghetti western premise, it eventually goes off in some unexpected directions. Nothing immediately wrong with that, but the story eventually gets to be a little boring , and you'll wonder why the hero doesn't just get down to business. The hero himself isn't totally likable, by the way, though he looks good compared to the villain played by Claudio Camaso (who is good.) While I wouldn't call this a GREAT spaghetti western, it may be of interest to spaghetti western fans who want to see something that somewhat different. I have to admit that despite those aforementioned flaws, it did in the end keep me interested right to the end.

Yet another unofficial Django sequel, or at least one of many westerns, post Corbucci's masterpiece, that have the main character named Django. Sadly, it's rather run of the mill and it failed to capture my attention in any major way. Gianni Garko, as Gary Hudson (a pseudonym representative of the creativity of the film), takes on the Django name as a bounty hunter who will learn to pay a steep price for his greed.I was reminded of the Hitchcock/Truffaut interviews (coincidentally published that same year) where they came to the conclusion that the "better the villain, the better the film." Henry Fonda in Once Upon A Time in the West, for instance, would be a great example of this. Unfortunately for us, Guerrieri did not seem to be too familiar with this concept; had he made a quick trip to the bookstore before starting the film, he might not have thought it such a splendid idea to put more mascara on the bad guy, than on the female lead. Sadly the appearance of the villain, Manuel, was not the only laughable thing and a lot of the supporting characters are as grotesque as they are dull. Garko also makes a poor Franco Nero replacement here, even though he is usually quite good in other movies.On a more positive note, the camera work is decent, there are a couple of fun shoot-outs and the locations are easy on the eye.

For 10.000 dollars , Django , a bounty hunter (Gary Hudson or Gianni Garco , usual player of Sartana character , another famous hero of S.W.) swears to chase Manuel (Claudio Camaso who subsequently committed suicide) who has kidnapped the daughter (Adriana Ambesi) of a baron land . As Django along with his faithful friend , a likable photographer named Fidelio looking for evil Manuel . But his lover (a saloon-girl played by Loredana Nusciak) is killed and Django seeks vengeance . Meanwhile , Djanjo is double-crossed and the daughter who suffers Stockholm syndrome falls in love with Manuel .Acceptable twilight Spaghetti Western with interesting dialogue by the usual writer Ernesto Gastaldi , splendid cinematography by Zanni and memorable musical score by Nora Orlandi . It is a typical Spaghetti Western in which blends the common scenarios , as invincible and tough antiheroes , complex as well as fast showdowns with numerous casualties , impulsive and quick zooms , and musical score with Morricone influence . The picture has a certain remembrance to ¨For a fistful dollars more¨ (Sergio Leone) regarding the avenging theme and including Manuel character who bears remarkable resemblance to Indio role (Gian Maria Volonte) ; furthermore , Claudio Camaso was brother of Volonte and holding physical likeness and similar playing . Besides , good set decoration filmed in Elios studios and , of course , Almeria (Spain) . It also bears remarkable resemblance to ¨Django¨ (Sergio Corbucci) regarding 'the Saloon girl character' , equally interpreted by Loredana Nusciak . The highlights of the movie result to be the followings : when the hero wakes up from the beach along with a corpse , Django living in a photography back room studio decorated against posters captioning ¨Wanted : Dead or alive¨ , the phantom village full of dust and wind and Django buried until neck , among others . ¨Ten thousand dollars blood money¨ was shot at the same time to ¨For one hundred thousand dollars per killing (by Giovanni Fago)¨ with similar artist and technician team and also starred by Gianni Garco , Claudio Camaso and Fernando Sancho . The motion picture finely produced by Mino Loy , Luciano and Sergio Martino brothers was well directed by Romolo Guerrieri who also made other Pasta Westerns . Romolo is a good craftsman who has directed all type of genres such as post-nuke Sci-fi as ¨ The last warrior¨ , Italian crime or Poliziottesco as "Young, Violent, Dangerous" , ¨City under siege¨ , "Ring of Death" and westerns as ¨Johnny Yuma¨ and ¨Seven guns for Timothy¨ again with Fernando Sancho . Rating : Better than average Spaghetti Western .

Django is hunting the bandit Manuel, because there's a price on his head. But when he meets Manuel, he joins his gang instead for a robbery. Yes, this the world of spaghetti westerns where the lines between Good, Bad and Ugly are thin, indeed. Manuel kills Django's girlfriend (Loredana Nusciak, known from the original "Django"), which sets Django's mind back on his original idea of bounty hunting... This movie is quite obviously inspired by "Django", although it's not an official sequel. Shot just one year later, it casts Loredana Nusciak in a similar part, and Gianni Garko looks more like Franco Nero than like himself in other movies. If you remember Garko as the screaming lunatic in "Mille dollari sul nero", or as the gambler and gunman with all the funny lines in "Buon funerale amigos", he proves to be versatile as an actor here. If you are into Italian westerns, you won't be disappointed by this movie. Only silly thing: Claudio Camaso (as Manuel) put on so much mascara like he was going to play the baddie in a silent movie.