4.3.2.1
4.3.2.1
| 02 June 2010 (USA)
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Jo is chained down in a dead end supermarket job while all her friends are all out on their own separate adventures. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself.

Reviews
Clevercell

Very disappointing...

SmugKitZine

Tied for the best movie I have ever seen

Thehibikiew

Not even bad in a good way

Kailansorac

Clever, believable, and super fun to watch. It totally has replay value.

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Smoreni Zmaj

Four girlfriends, each in their own troubles over head, are involved in the theft of diamonds, which they are not even aware of. Movie tells four separate stories, each being close up for one of the girls. Then stories begin to intertwine and merge into a common finale. Interesting, but in every way mediocre. I'm giving one additional point because this is Noel's second directing and movie has low budget for today's standards. My secret crush in Emma Roberts did not affect my rating, I promise.7/10

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blanche-2

Four young female friends in England (Ophelia Lovibond, Shanika Warren- Markland, Emma Roberts, Tamsin Egerton) have individual adventures, all of which end up connected to a huge diamond heist.Cassandra (Egerton), from a wealthy family, travels to New York City for an audition with an important piano teacher and also to meet her Internet boyfriend. Jo (Roberts), to help her family, has to work in a 7-11 type store at night. Kerrys (Warren-Markland) is a lesbian rebelling against her family, particularly her half-brother; and Shannon (Lovibond) is desperately unhappy, feels she has no one to talk to, abandoned by her mother, and contemplating suicide.Using the Pulp Fiction-Jackie Brown format, we see how each woman becomes involved with one another over three nights and what leads them to their involvement in a diamond heist, which during the film is being broadcast on TV in many scenes. I thought this was well done and appeals to a young crowd. The friends are beautiful and going through passages like losing virginity, trying to get accepted in an important school, parents breaking up, blended families, driving tests and the like. When Cassandra, a stunning blond, goes to New York for her audition, at one point she is walking around wearing a long sweater. That's it, a long sweater and nothing on her long, gorgeous legs. No woman walks around New York City like that. I don't mean to imply that you're "asking for it" - no - but for most women, the harassment, the men following you, and the whistling can be scary and/or annoying and not worth it, especially for someone new to the city.There are very funny as well as dramatic sections; this winds up as an entertaining film, a little longer than it needed to be, but fun.

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SnakesOnAnAfricanPlain

A generic and immature offering. The film is entertaining, if you can slide aside some terrible performances. It's something a teenager would write after watching Lock,Stock..., Pulp Fiction and GO!. Those fast paced crime films reveled in their daft dialogue, awesome soundtrack choices, and large ensembles. Unfortunately, 4.3.2.1 seems as though nobody read the thing before making it. The huge amount of coincidences do nothing but cheapen the film. As the four stories are revealed, some seem to have nothing to do with anything, while others have so much going on it's impossible to give a fudge. Why did I need to see the story about a girl going to New York, being tricked into sex, etc. I don't know. Other than it opening up some American locales and bizarre Kevin Smith/Mandy Patenkin roles appearances. I don't mind a few "What are the odds?" moments in my movies, but this film is dependent on them. In a true sign of incompetent writing, every time the film hits a dead end, a lucky coincidence kicks the story down the road. If you stick films on and don't intend to think about it ever again, then you should watch this. It can be a bit infuriating for others.

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perkypops

Noel Clarke risks his growing reputation as writer/director with a quirky but clever crime caper. Yes it is very removed from Adulthood and Kidulthood but it is still a well crafted piece of writing and directing, with subtle use of a story seen from four different angles. The 4-3-2-1 of the title is neatly explained during the plot in more ways than one.The leads are all worthy of their billing with performances as diverse as you could wish for. Shanika Warren-Markland is a brilliantly mouthy Kerrys, Emma Roberts a wimpish but loving Joanne, Ophelia Lovibond as the misunderstood and misunderstanding Shannon, and Tamsin Egerton as the sophisticated rich kid musician Cassandra. On their own they are all reduced to big time losers in the course of the Friday to Sunday the film spans, but, together they triumph. And on the subject of smooth performers there is the deliciously dangerous Michelle Ryan, as Kelly, Noel Clarke as Tee and a great cast of support.The script makes much more sense as the film progresses towards its climax, and the story is cleverly unpeeled before our eyes. The humour expressed within this film both in dialogue and sight gags suggests it is to be taken tongue in cheek and that may upset some of Mr Clarke's followers but not me. I enjoyed every minute of its slightly less than 120 minutes.For entertainment value alone the film is easily worthy of 8 out of 10.

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