A Charlie Brown Valentine
A Charlie Brown Valentine
| 14 February 2002 (USA)
A Charlie Brown Valentine Trailers

Lovesick Charlie Brown hopes – still – to get a valentine from the Little Red-Haired Girl, as does Sally from Linus, Lucy from Schroeder and Peppermint Patty from Charlie Brown.

Reviews
WasAnnon

Slow pace in the most part of the movie.

BroadcastChic

Excellent, a Must See

Supelice

Dreadfully Boring

Claire Dunne

One of the worst ways to make a cult movie is to set out to make a cult movie.

View More
Dalbert Pringle

If you are someone who is deeply yearning for even a bit of love'n'romance to happen on this Valentine's Day - Remember - You are not going to be alone in your longing. No.'Cause you can be sure that Mr. Lovelorn, himself, (good, old) Charlie Brown (good grief!), has got his romantic-eye set on the little, red-haired girl (who doesn't seem to know that he even exists).(Poor Charlie Brown. Indeed.)So - If you enjoy watching 2-D "Peanuts Gang" animated pictures - This is definitely a really cute one that is sure to keep you happily entertained for its 25-minute running time.Kiss. Kiss. Hug. Hug.

View More
SnoopyStyle

It's Valentine's Day. Charlie Brown pines to be the little red-haired girl's valentine. He doesn't even have the courage to rescue her from a bully. Peppermint Patty also wants a Valentine. She sends one to Charlie Brown. Marcie also wonders if Charlie Brown likes her. Lucy is willing to settle for kisses and a hug from Schroeder. Sally wants Linus to be her sweet baboo no matter what he actually wants.There is something hilarious about the pathetic Charlie Brown. Poor Charlie Brown! It's also his essence. It's just simply funny. I like both Marcie and Peppermint Patty in this. They are a favorable duo of mine. Snoopy has a funny bit putting on a red wig but this is all Charlie Brown. He is completely hopeless and completely funny.

View More
strhoads5-1

This is my favorite of the "new" Charlie Brown specials. I liked it better than the Christmas tales and Lucy must be traded. It's also one of all time Charlie Brown specials-I'd say in the top 5 somewhere. I loved the dance part! I think the main reason that I loved it is because I could relate to about 90% of it! (Especially the dance part) Worth watching and even worth owning. It's suppose to come out in Jan, 2004. (PeanutsAnimation website)

View More
Scott Miller

Charles Schulz requested (though since he did not hold the copyright to Peanuts he could not demand) that no one create any new Peanuts stories after his death. United Media, on the other hand, did not want to let a cash cow like Peanuts fade into the night. So they compromised with Schulz's family, making the latest Peanuts special, "A Charlie Brown Valentine", from a conglomeration of numerous loosely connected comic strips penned by Schulz. Unfortunately, the special feels like a conglomeration of numerous loosely connected comic strips.Unlike previous Peanuts features, which almost always contained a coherent (although occasionally bad) plot, the only prevailing theme here is that it is Valentine's Day. Actually, it's several Valentine's Days. The time frame jumps around *so* much that we can't keep any supposed story line straight. Early on, we get the impression the special takes place on February 14. Then Lucy announces that Valentine's Day is a week away. Then Charlie Brown tries to work up the courage to give the little red-haired girl a Valentine. Then we learn that V-Day is still a few days away, then Charlie Brown goes to a school dance.While some of the jokes are funny, the special could hardly be called hysterical, and its choppy style is more dizzying that enjoyable. All in all, "A Charlie Brown Valentine" plays more like a love-themed episode of _The Charlie Brown and Snoopy Show_ than a legitimate television special. While such a variety show could get away with some unfunny sketches (_Saturday Night Live_ has been getting away with it for decades), a full-blown special has to pull its weight all the way through. Sadly, this one does not.If Peanuts is to survive beyond one more TV special, a new compromise must be reached. We must allow the producers the opportunity to forge existing strips into a workable script--one with a story line--and the possibility of adding some new jokes. Otherwise, the next special may be, "It's the Last Hoorah, Charlie Brown."

View More