the audience applauded

Brilliant and touching

In other words,this film is a surreal ride.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Ariel (Emily Osment) loses her father and her mother Dana (Victoria Pratt) is struggling. At college, Ariel is befriended by Ben (Gregg Sulkin) who seems to be an obsessive volatile stalker. Dana is befriended by Ben's stepfather Adam (Paul Johansson) who seems to be a nice guy at the widowers' support group. Cameron (Richard Karn) is the brother of Dana's late husband Jack. Ariel is suspicious of Adam as he gets closer to her mother.This is a perfectly Lifey Lifetime movie. There are women in danger and scary threats are lurking behind every male character. It's all very lifeless with a tired tension running through the movie. There is a nice misdirection throughout but the movie does not take advantage of it. It should be ramping up to a great action thriller but it flatlines into bland TV movie of the week.

In a mournful opening scene, pretty blonde daughter Emily Osment (as Ariel Morgan) and likewise pretty blonde mom Victoria Pratt (as Dana) attend the funeral of their father and husband. Nearby, recent widower Paul Johansson (as Adam Smith) places flowers on his wife's grave. He has recently moved from Seattle into the neighborhood, with handsome stepson Gregg Sulkin (as Ben Woods). The younger man has bountiful lips and mismatched socks, which are noticed by Ms. Osment. They attend the same college. The sock notice given to Mr. Sulkin is one in a pattern of oddities which provide the most intrigue in this otherwise routine TV movie. You do get the feeling writer Shelley Gillen and director Vic Sarin are trying to make it interesting...Another highlight is the color photography, also credited to Mr. Sarin. The attractive leading players are given good support, especially by veterinarian Richard Karn (as Cameron Morgan). The keenly observant neighbor kid, young Jaden Rain (as Brooks) seems to have some ties with the whole "A (family member)'s Nightmare" series, from Sarin and company. Alas, this story's weakness is difficult to overcome – the characters often lapse into amnesia. They don't seem to catch on to events, from scene to scene. Most irritating example of this is the Dixie Chicks "birthday concert" segment, which should have revealed something serious was amiss. Good thing mother and daughter don't investigate the mix-up, or we might have only half a movie.***** A Daughter's Nightmare (5/3/14) Vic Sarin ~ Emily Osment, Victoria Pratt, Paul Johansson, Gregg Sulkin

A recently widowed woman meets up with a recent widower and soon becomes ill. What's going on here? The guy seems to be a complete lunatic feeding her his magic herbal tea to make her better.They met due to her daughter meeting his stepson who is slowly being poisoned by the stepfather. The stepfather never raises his voice and is a male nurse to the bargain.He continues to wreak havoc in the woman's life and causes trouble so that he can be left alone with the woman and continue his actions.The acting is good here but plot leaves a lot to be desired.By the way, this lunatic had been married before and you know how those nuptials ended. Of course, it is shown that his father was apparently doing the same exact thing to his mother.

Last night I watched the "world premiere" of a Lifetime TV-movie called, in the best tradition of Christine Conradt's titling strategies even though she didn't write this one, "A Daughter's Nightmare." It's one of those Lifetime productions (the company is credited as "Sepia Films," even though the movie is actually in color) that takes place in Washington state so the actual shoot can be just across the border in British Columbia, Canada (specifically the town of Kelowna), and it starts at the funeral where the heroine, Dana (Victoria Pratt), is burying her husband after he lost a long battle with lung cancer. The main attendees are Dana's daughter Ariel (a quite good Emily Osment) and the late husband's veterinarian brother Cameron (Richard Karn), though in the background we see a heavy-set man lurking around. When next we see him we learn that his name is Adam Smith (Paul Johansson, physically well cast in that he's not drop-dead gorgeous but he looks good enough to come off as a plausible romantic partner for Dana) and that he has a nice-looking but disturbed young son (stepson, actually, a point screenwriter Shelley Gillen is careful to make) named Ben (played by the quite hot Gregg Sulkin in a performance that avoids the twin traps of playing a psycho — the obvious wall-crawling one of Lawrence Tierney and the ridiculously boyish approach of Anthony Perkins in Psycho), whom Adam has taken to a therapist (Janet Anderson) and who resists being labeled as having a mental illness. Ben and Ariel attend the same college, and since Ariel makes it a point of going home to mom's place every weekend, Adam makes it a point of giving Ariel a ride so he can meet Dana, whom he intends to start dating.Of course, being the male protagonist of what Maureen Dowd called a "pussies-in-peril" movie, his intentions are considerably darker than that, though Gillen and director/cinematographer Vic Sarin (whose name in the credits led me to joke, "Oh, no! It's directed by a poison gas!") take their time letting us know just what they are. They do make a point that Adam had wanted to become a doctor, only his grades weren't good enough for medical school so he became an ER nurse instead — which gives him a point of commonality with Ariel, who's studying to be a vet like her uncle — and it also gives him an entrée with Dana. He meets Dana at a grief group Ariel told him she was attending — when the sequence started and she introduced herself with a full name, and was told, "First names only, here," I joked, "My name is Dana and I'm an alco- — oops, wrong group." Though there are a few familiar Lifetime-style plot holes in Gillen's script, it's actually a quite chilling suspense tale, made more interesting by the absence of much in the way of outright violence (Adam isn't a thug, and it makes him a considerably more interesting villain), the ambiguity over Adam's motives and the nice reversal that that hot young man the young girl is dating isn't the crazy one in his family — his (step)dad is. It also helps in the verisimilitude department that Victoria Pratt and Emily Osment look enough like each other to be credible as mother and daughter (though, oddly, Paul Johansson and Gregg Sulkin also resemble each other enough that they'd be credible as father and son even though the script tells us they're not biologically related). A Mother's Nightmare is not a great movie, but it's a genuinely chilling thriller, several cuts above the Lifetime norm.