This movie is the proof that the world is becoming a sick and dumb place

Bad Acting and worse Bad Screenplay

A story that's too fascinating to pass by...

One of the worst ways to make a cult movie is to set out to make a cult movie.

"A Diary for Timothy" is a short film from 1945 and the director is Humphrey Jennings, the man who made the Oscar-nominated "Listen to Britain" a few years earlier. The contents here are very different with the exception that history had progressed considerably in these 3 years. The Allies had won the war and this film tells audiences again about what life in Britain looked like around that time. It also tells about the upcoming challenges for post-war Britain and the world. For the framework here, Jennings used a little baby and explains this film by depicting the world he was born into as he did not exist yet in 1942 when he made his more known movie. This film here includes some very known British artists such as actors Michael Redgrave, John Gielgud and writer E.M. Forster. I still must say it was not really in interesting watch. I'd only recommend this to British people with a great interest in history, or even historians themselves. Thumbs down from me.

This brief documentary-style film presents the status of Great Britain near the end of the Second World War by means of a visual diary for a baby boy born in September, 1944. Narration explains to "Timothy" what his family, his neighbors, and his fellow citizens are going through as the war nears its end, and what problems may remain for new Englishmen like Timothy to solve.What makes this brief documentary so interesting is how it focuses on Timothy James Jenkins, a real child in England. Thus, this is not just a time capsule, but a commencement speech of sorts -- but instead of following a graduation, it follows the birth of this child.In a sense, the hopes of a nation are seen through one boy... and this, in turn, made the boy something of a cult figure. (On a very, very small scale, of course... but his biography is well-known to anyone who cares to search it out.)

In the history of cinema, the history of documentary is very interesting and when talking about the subject and the United Kingdom, people cannot leave two names alone; Basil Wright and Humphrey Jennings. Basil Wright directed The Song of Ceylon, which was a shocking description of UK's colonial possessions. Then Humphrey Jennings made many propaganda films during the WWII, the most well known of them are Words for Battle (1941), which was a poetic picture of England, read by Laurience Olivier. Listen to Britain (1942), which used sound as narrative it didn't use commentary tracks at all when describing one day in London, and many see it as one of the finest documentaries ever made. Then last but not least A Diary for Timothy (1945), which is a very evocative pacifistic propaganda film.The production of Humphrey Jennings is fascinating, he never followed the same scheme. For instance in Words for Battle (1941) a famous actor read the poetic commentary for the film, in Listen to Britain (1942) he didn't used commentary at all only the sound and music. Then A Diary for Timothy achieves to bring something completely new once again. It's dedicated to a boy called Timothy who was born on 9.3.1944, the fifth anniversary day of WWII. The documentary shows the world around Timothy, what happens in it, in what kind of place young Timothy will grow up. The poetic commentary of the film is like an essay read an actor, an essay tied to emotional situation.A Diary for Timothy is pure cinematic poetry, only few have reached, and if talking about the history of documentary, only Jean Vigo and Humphrey Jennings. It is an evocative documentary, which calls us to make a change. The film is existentialistic, it highlights the experience of an individual during the time which wasn't the time of existentialism, people believed in communality. But A Diary for Timothy managed to light a new spark of hope in the people.

'Diary for Timothy' is that most precious thing - a snapshot in time of ordinary people, their hopes and aspirations. It is considered by many to be Jennings's masterpiece.The film is constructed around the first year of life for a baby, born in the closing stages of the war. There are two radical elements that distinguish this from his previous films. Firstly, the very literate narrative, written by E.M. Forster, no less! Secondly, the characters who appear are allowed to speak for themselves, almost in the form of soliloquy. Here are the voices of Britain, and one is reminded of Chesterton's poem in that they 'have not spoken yet'.The mood of the film is very subtle. Although not strident, it and the characters in it argues the necessity for a better world and a fairer society (anticipating the Labour landslide).What is really poignant is the realisation that many of these hopes have not been realised.