A German Youth
A German Youth
| 07 February 2015 (USA)
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At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.

Reviews
Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Roxie

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Haven Kaycee

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

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Logan

By the time the dramatic fireworks start popping off, each one feels earned.

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Horst in Translation (filmreviews@web.de)

"Une jeunesse allemande" or "A German Youth" is a 90-minute documentary from 2015, so still a relatively new and fresh film. It is a co-production between France, Switzerland and Germand and from the French original title you see already that this is by a Frenchman, namely still relatively young, yet pretty experienced filmmaker Jean-Gabriel Périot. He received a great deal of awards recognition for his works already and this one here is no exception. While not scoring any attention in Germany, it got in at awards bodies all over the world, including a Best Documentary nomination at the Césars, the French Film Awards. The subject here is left-wing terrorism in Germany several decades ago. Yes the focus here is once again on Baader, Meinhof and the RAF terror in Germany. It is a subject that was done really many many times before and I would not really say that the film has anything particularly new to offer, but that's not a problem. The great quantity of old recordings still make it worth a watch and there are interesting references in terms of film, like one of the members being prolific in German (short) film too or at the very end the Fassbinder references. I believe this is very much worth watching for everybody with an interest in the subject like myself. I also liked the somewhat chronological structure of it all, but that's obviously just personal preference. The biggest strengths are the many video (and audio) recordings from a time long passed, but still in the face of what happened by violent radical left wing demonstrators at the G20 summit in Hamburg not long ago, it is still a film with current relevance and it may remind us of how we should not let things reach such a level again as during the RAF days, which is also an important message as the German main stream media basically ignore every kind of terrorism and extremism that does not come from the far right. Anyway, I am getting a bit away from the film now and that's why I will end my review now. With a positive recommendation, that is. Go see it.

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