Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Unholy bore is more like it. Creaky western about a greenhorn (George O'Brien) who heads west to find some answers surrounding his father. It's a "modern western" meaning it takes place during the era in which it was made, not the 1800s. Notable only for an early appearance by Humphrey Bogart (his first western). It's interesting to see Bogie still wet-behind-the-ears, acting-wise. He does nothing to impress here, really, but nothing to embarrass either. George O'Brien is as exciting as tooth decay. Sally Eilers plays the girl O'Brien and Bogart both lust after for reasons unknown to me. This is a really boring movie, even for a B western made during this period. Add to that the usual negatives that burden early talkies and you've got a dud on your hands. Favorite scene is the most moronic meet cute ever: O'Brien crashes his plane into Sally Eilers' bathroom!

Humphrey Bogart made his western debut in this film A Holy Terror based on the Max Brand novel Trailin'. It had been filmed ten years earlier as a silent under its original name with Tom Mix in the lead. Western star George O'Brien is in the lead with Bogey as one of the villains.Interestingly enough this might have been Bogart's best outing in a western. He was a villain later in Warner Brothers big budget westerns The Oklahoma Kid where he's too much of an eastern gangster and Virginia City where he sounds laughable as a Mexican bandit. Here he's just right as the foreman of a western ranch who gets a case of the green eyed monster when easterner George O'Brien starts eying Sally Eilers.But that's just a sidebar to the main story. O'Brien is a polo playing easterner whose dad, Robert Warwick, is found shot to death. Searching his papers O'Brien finds that Warwick's original name was changed and that he had kept tabs on the whereabouts of a certain Wyoming rancher for years.O'Brien goes to Wyoming to investigate and by the end of the film all his questions are answered. He might be an eastern dude, but his polo training makes him ride with the best of the cowboys as they learn to their regret. In fact O'Brien whose big break came in the John Ford silent western classic, The Iron Horse, got his start in the army horse cavalry before World War I.As for Bogart he's the foreman who gets his boss's intentions all wrong as far as O'Brien is concerned. He's not bad in the part though and is noticed, especially by his legion of fans for whom he's an existential legend.

I wound up with a copy of this film by accident--and figured I'd watch it before sending it back to the collector who made me a copy of this instead of the film I'd actually requested, so I had little or no expectations...just wanted to see what it was. The first few scenes take place back east and feature Robert Warwick, so I was thinking "oh no, another of those 'dude goes West' films." However, the film soon shifts into high gear with Warwick's death, which motivates George O'Brien to go out to Wyoming. There's some well-placed humor in the film, such as when O'Brien lands his plane in a lady's bathroom (!), but the film is as much a mystery as it is a western. There's also a nice "Bad Day At Black Rock" kind of feel to the small town in which O'Brien arrives, asking questions. The way the plot develops is suspenseful, and the finale, which ends cold right after the climax, is powerful. The film, as with most 1931 productions, has no music, so ending the film abruptly and in silence is a powerful technique. The heavy in the film is played by the young Humphrey Bogart, in what must have been one of his first significant roles, and he is menacing and intense, just as he would be a few years later in PETRIFIED FOREST. George O'Brien, best known today for the silent classic SUNRISE and for his work in John Ford films, can play an upper-class polo-playing young man, but he is also genuinely tough (not a surprise, considering he was a boxing champ earlier in his life), has a keen sense of humor, and has a warm screen presence. He's also a fine horseman. In under one hour, this film tells a complex story, yet is exciting and plays like a good mystery, though in a western setting. Some who aren't that familiar with early-sound films may find it a bit slow going, but it's actually quite fluid for a 1931 film, and I give it a full 10 star rating. It completely achieved what it set out to do and holds up well today. (interestingly, my copy had "fade in" and "fade out" on the screen in between a number of films--was this a television print with those meant for the local TV station projectionist???). I don't get the Fox Movie Channel, but as this was a Fox film, maybe it will be shown there sometime. Watch for it...and don't get up to get a soda or a snack. Watch it uninterrupted.

The only reason that most people will track down this minor Western is the presence of Humphrey Bogart in one of his earliest roles. The Old West was never really looked right on Bogie and this performance, his first with Stetson and Six-gun, could be seen just as a dry run for his appearance as Whip McCord in the James Cagney vehicle 'The Oklahoma Kid'. In fact it was the first time Bogart ever appeared on the wrong side of the law and his depiction of a violent, shiftless man with no moral centre shows that he had this kind of role down pat five years before his breakthrough in 'The Petrified Forest'. He even manages to engage a little audience sympathy when constantly rejected by the virtuous heroine, a fact that also provides a little character motivation, unusual in a picture of this type. It almost goes without saying that he is really the only reason to watch.Elsewhere George O'Brien tries hard to be handsome and charming in the lead role but is merely stiff and wooden, whilst Sally Eilers does a little better as the heroine. The story holds few surprises, and very little in the way of action or thrills, but the resolution is more original than expected. Technically, it's a little basic but some location work and the use of a few crane shots help a little.If it weren't for Bogart this picture would probably be long forgotten and it really won't hold much appeal outside of his loyal fanbase.