This Movie Can Only Be Described With One Word.

A brilliant film that helped define a genre

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

At Budapest Israeli Film Week, Dec. 2016; "A Matter of Size" (Hebrew title, "Sipur Gadol" = 'A BIG Story'), 2009, 90 min., color. This is basically a feel-good love story about two people, Herzl and Zehava, who don't feel very good about themselves because they are exceptionally fat, but eventually find ways of coming to terms with their obesity. This could be called a gimmick film --the gimmick being Jewish Sumo wrestlers in Israel -- a pretty wild idea to start with --but it has so much else going for it that it transcends the gimmickry to become a thoughtful heart-warming picture. What is most unusual is that all the main actors, except for the Hebrew-speaking Japanese Sumo coach -- are actually quite fat and far from glamorous -- but are all very good actors and instantly engage our feelings for them. The oversize hero, Herzl, has a giant complex about his obesity, but in Sumo where fatness is prized, he finds a sense of worth. His girlfriend has her own weight problems and complexes, but through Herzl's unconditional devotion also comes to accept herself as is. Ultimately this is a film about self-acceptance in the face of Massive obstacles --and Sumo happens to be the vehicle to that end. Interestingly, other than the fact that the film takes place in Israel, there is nothing particularly Jewish about it. It could take place anywhere -- anywhere, that happens to have a Sushi restaurant run by a man who happens to be a retired Sumo referee... Gimmick-shmimmick -- a winner with elements of Rocky and Karate Kid deftly tossed together with a healthy helping of schmaltz. Written and directed in tandem by Erez Tadmor and Sharon Maymon --both of whom were present for a lively Q & A after the show. The production values are cutting-edge world class, indicating that Israeli film is no longer a provincial cottage industry for a captive audience, but a growing industry with international outreach. Main cast: Herzl --Itzik Cohen Zehava -- Irit Kaplan BOTTOM LINE: One for The Books

Only now I got to see 'A Matter of Size' or 'Big Story' (Sipur Gadol) as the original title in Hebrew goes, a film that surprised both the international and Israeli audiences a couple of years ago. International audiences were surprised as they seem to be any time a film from Israel deals with subjects that are not related to the Israeli-Arab conflict, to war or terrorism or their consequences. There was also however a surprise in this film for the Israeli audiences as well. Those who came to see the routine comedy that this film promised to be taken into account the background where it happens and the actors, were surprised to watch more delicate subjects of personal identity and courage of assuming it being dealt with in a light and spirited manner. The result is not bad, and the mild success that the film enjoyed was in my opinion deserved.The heroes of the film all come from the lower class environment of a city which can be described as central in location and peripheral as social status in today's Israel. Herzl (acted by big-eyed Itzik Cohen), his girl-friend Zehava (Irit Kaplan) and his friends all fight an oversize problem, which places them into the class of pariahs in a world obsessed by diets, as their weight places them out of the criteria of aesthetics and social acceptance. To some extent overweight is in the film directed by Sharon Maymon and Erez Tadmor a symbol for all the other inequities of gender, origin or social nature that make people different (which is a normal thing) but can also lead to discrimination (which must be fought). The fight is however not so much with the outer world but merely with the inner personality of the heroes. The physical disadvantage is turned into an opportunity when Herzl and his friends discover that the traditional Japanese sport of sumo can earn them respectability, but as they soon learn sumo is not only about being fat, it is also about proving strength of character and endurance in face of adversity. The tools of personal success or even survival are the same in any context.The film does not take itself too much in serious, and this is both a quality – as it stays pleasant to watch and can be enjoyed by practically any audience – but also a weak point, as it cannot avoid some of the expected clichés of the feel-good movies.Taking upon the sport of sumo in a country that is the opposite of Japan from so many points of view is a comedy subject by itself, and there are a few spectacular moments of comedy with the big fat men running in their red sumo panties in the city or on the roads but the authors were so proud of them that they repeated them three times. Besides the lead roles, Dvir Benedek gives a good performance and so does Togo Igawa as sumo master Kitano (a homage name?) who comes to Israel … for Zionist reasons. It's overall a movie that is nice to watch for everybody and with enough substance to make even the more sophisticated viewer unable to be sorry for the time spent watching it.

Super cute movie; light plot but with deeper philosophical and political implications for those who seek them. I especially liked the choreographed movements of the group of sumo wrestlers, and the accompanying music. Just for that I would see them movie more than once. Most importantly, it puts Israel and Isarelis into a normal perspective and does the same for the problem of obesity. It puts a new spin on it that will stay with the viewer and will positively affect his/her attitude towards non-mainstream people. The incorporation of Japanese non-Jewish characters into the film is interesting. It creates further food for thought about all kinds of relationships, not only between Jews and Gentiles, but also between men and women, gays and heterosexuals, parents and grown children, prisoners and wardens, and all this, of course, through the main thin/fat dichotomy that dominates the thinking of the main characters.

I thought the idea of the film was really nice. Having to find something useful in you and try to find the the good in you.The visual aspects of the film became of course interesting when the men are big and dress as sumo wrestlers. The're is some good dialog, which made me laugh, but there was too much of it. Too many scenes and feelings we're explained by dialog.Some of the characters we're unrealistic, like the woman who holds the diet club.I know it's a matter of style, but never the less, it didn't struck me. The film has gotten some good reviews, so maybe I'm just the wrong person for this movie. Man in his forties, who see's a lot of film.There is twist of a romantic comedy in it, which probably makes it a very good dating movie. But for me it was a bit too naive and some of the scenes we're just so simple and looked too much like television.The cinematography of the film excels only in a few sumo scenes. Otherwise it's stuff made straight to DVD.