That was an excellent one.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

French films often focus on things that are really quite different from the English/American scene. They're a lot about dialog, attitude, and big(mouthed) iconic protagonists - often less about an obvious moral at the end. This film is neither really a comedy nor a drama, it's like that perfect nuance between the two and borrows from both in a very typically French kind of cynical/blasé way.Instead of a great big moral as most films around the world usually have which they culminate towards, this one has rather a theme that is omnipresent throughout the developments. It's more like an ongoing element of both lead characters' conscience, or rather subconscious - as the synopsis states: the desire to travel. That irresistible urge to discover or rather rediscover a place exotic, festive and foreign; foreign to the boring old daily, routine life.As referenced in the first line of this review, French films are best when the dialog is best and this one has the right quality for the ambitions of the story and Gabin and Belmondo both do a very good job, Gabin especially as he seems to have been that very character at some point in his life, understands him so well. Such lines as (speaking to his wife, -paraphrasing): "Suzanne tu n'as que des qualités, mais tu m'emmerdes !" - so French in spirit, and a sentence so heavy with significance as it pertains to the sheltered, redundant gentrified "real" life.Interesting, well acted out, very good dialog, very well paced and filled up: 7.5/10. My own criticism: perhaps the "dream life" is hinted at too much where the film settles for carrying out the events in the plot while not further exploring that strong element of abstract emotion that remains merely underlying and implied.

A splendid movie for everyone who had a dream and/or came back from it. About dream, excess, life, boredom, and going beyond what life gives you. And alcohol. To watch.The actors are splendid, both at the best of their style, Gabin, an established, grounded man with a vision, Belmondo as a bold and hot-tempered, troubled young man. Suzanne Flon, Paul Frankeur and Noel Roquevert also strongly support the scenario in their 2nd roles. The dialogues by Michel Audiard are just splendid. One liners that make you laugh and think beyond the action and that reflect on yourself. It's a movie for people who dream further.

Albert Quentin (Gabin) is running a small hotel in a coastal town in Normandy. He and his wife (Suzanne Flon)have settled down to a dull, peaceful existence heading into old age, when Fouquet (Belmondo), a young man gifted in flamenco dancing and getting very drunk, erupts into their lives. Soon all is turned upside-down, the teetotalling Quentin starts drinking again, and the town is treated to the most spectacular impromptu fireworks display that I can recall seeing in a movie. And that's not all... The acting is good all round: Gabin and Belmondo play off each other very well, Suzanne Flon strikes the right wistful and optimistic notes, and Noel Roquevert is very funny as the owner of a boutique where you can buy just about anything, including fireworks. Gabrielle Dorziat (of Les Parents terribles) has a nice cameo as the director of a girl's school who insists on speaking English.Henri Verneuil was a very popular director from the 50's to the 70's; without being a real auteur he had a talent for pleasing the audience. Un singe en hiver follows Mélodie en sous-sol with its fine Gabin-Delon pairing, and gave me a lot of pleasure.

A very good movie where Belmondo and Gabin performed a so great duet. The story of a man who has stopped drinking- and then dreaming- and who thanks to a young man who tries to forget a lost love in alcohol will turn drunk again during an exciting night. Every man who has ever felt the pleasure of alcohol as a dream and nostalgic catalyst will enjoy watching it. The dialogs are exceptionnal thanks to Michel Audiard.