the audience applauded

Sorry, this movie sucks

Don't Believe the Hype

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Okay, it's a rainy Thursday in Scunthorpe; your tele's on the blink, the chipshop's closed and all the badminton courts at the Leisure Centre are booked solid. The local flea-pit is playing this piece of cheese and at least it'll get you out of the rain. That's about the best you can say for it; someone connected with Film Production has seen a real heist movie - Jacques Becker's Touchez-pas au grisbi, perhaps, or Jules Dassin's Riffifi - and thinks they're easy to do. Wrong. It's like the dozens of Am-Dram outfits all over the country who think Hay Fever is a walk in the park. So, this bright spark wrote the word 'gritty' on a blackboard, signed up a team of second-rate talent and waited for the money to roll in. He's probably still waiting.

An exciting, suspenseful, ingenious thriller, this one makes very inventive use of the author's obviously first-hand knowledge of military red tape. The direction has pace and flair and actual locations are very effectively employed. The film has obviously been produced on an an unusually lavish budget, including an enormous cast. All roles from the largest to the smallest are superlatively played in a solidly realistic manner. The movie also excels with a great number of extras, including loads of location filming and even a sequence in which a whole army building is spectacularly burnt to the ground. As usual in this type of film, our sympathies are directed firmly to the robbers and we feel with them as they collectively and individually make one hairsbreadth escape after another, The screenplay is superbly constructed to extract the utmost suspense and tension and while it seems to be light on characterization, the personable playing by Baker, Bell and others makes up for this deficiency. The Greek unities are observed and fortunately there is no romantic interest whatever to dissipate the film's grip and tension. True, the climax is a bit extravagant and clichéd, but this is the one sour note in an otherwise excellent thriller.

I watched APOA courtesy of TalkingPictures TV channel, which is proving a treasure trove of little-known films, often low budget, of the 1960s.The plot unfolded in a satisfying way, with a parade of familiar British actors of yesteryear in small parts, including,as noted, "Likely Lad" Rodney Bewes. Stanley Baker inevitably impresses in the starring role.The film must have been made with the co-operation of the British Army and so shows officers and soldiers reacting to the raid in an efficient manner. (One or two of the actors could have worn their berets in a more military manner, and there was one sloppy salute - and what about the motor-cycle rider stopping off at a pub for a drink or two on duty?) One thing that did puzzle me was why the highly-strung Fenner was running in a panic through crowds of mocking soldiers and incurring the wrath of, I think, the regimental sergeant-major. Perhaps the clip that showed the reason for this was edited out?Overall, very entertaining.

I always thought this was a superb example of the tough British thrillers that were made in the 60's , along with The Helldrivers ( both of which star Stanley Baker )Gritty acting from Baker, and a great performance from a very young Tom Bell as the rather unhinged Fenner, no pop video soundtrack,no over the top special effects and filmed in black and white, perfect ! I'd love to get my hands on a copy of this movie in any format ( especially DVD ), as I only have a poor copy taped from the TV , many years ago and with the first 15 minutes missing ! Can anyone help ?