SERIOUSLY. This is what the crap Hollywood still puts out?

Not even bad in a good way

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Tame TV version of the "Walking Tall" Sheriff with the name you don't forget - Buford Pusser - played by renowned tough guy Brian Dennehy in one of his first screen appearances. Dennehy finds himself on his last warning after unlawfully conducting a search of a local disco in which he believes illegally distilled liquor is being sold. Told to shape up or ship out by the local magistrate, Dennehy elects to become the law's most abiding exponent, and enforcer, penalising anyone for the most trivial and often antiquated infringement to make his point and mete out a unique brand of justice by a thousand cuts.Dennehy is okay as the one-man band, essentially no different to most of his characterisations, Ken Howard also watchable as the smarmy local bootlegger who finds himself the target of Dennehy's vendetta. Most notable amongst the cast is the sultry Sheree North, who had a string of memorable roles in her later career, here playing a former prostitute who served time for murdering her pimp. Dennehy takes on her cause as she struggles to re-adjust, shunned by the local ladies' club who treat her as persona non-grata.Low key TV drama is light on violence (nothing more than a bit of fisticuffs, intimidation and jukebox smashing), but heavy on the noble causes proffering the justice to those who deserve it, and comeuppance for those don't approach to law enforcement. If you like that sort of thing, or have some regard for the minor cult hero Buford Pusser, then "Real American Hero" could be worth the watch.

"A Real American Hero" looks and feels like what it is: a late '70s telefilm. But it benefits from strong performances by Brian Dennehy as the legendary (or infamous?) Sheriff Buford Pusser, Forrest Tucker as Pusser's father, and Sheree North as an ex-prostitute trying to start over after serving a prison sentence for killing her pimp. Ken Howard is okay as Pusser's moonshining nemesis, but he lays on the phony Southern accent a bit thick. A film like "A Real American Hero" is best viewed on a warm summer night as you relax in your favorite chair, a can of beer in your hand. If you're from my generation (and particularly if you grew up in the Deep South), the car chases and punch-outs will bring back pleasant memories :)

I have seen several versions of this sheriff and for me, Brian Dennehy is the one who seems most able to hold his own against the "bad guys". He portrays a man who loves his town and wants more than anything to rid the area of those who would destroy it.....including the children and teens. (Ken Howard did a great job with his part) I think it was excellent because I found it believable. The surrounding characters also lent great credibility, well done by all. I am a fan of Sheree North anyway, and find that in this movie she is as beautiful a lady as always. I really enjoyed how she was finally accepted by the better-than-thou church lady. If you have seen the other Buford Pusser movies and not this one, then you have missed a treat. Of all of Brian's movies, (I am a Jack Reed fan), this is one of his best of his earlier ones. I bought mine second hand online and was not disappointed.

Burly Brian Dennehy, despite his failure to maintain the local dialectic condiment in his speech, nonetheless makes for a believable physical personification of the real life Buford Pusser of Selmer, Tennessee, the sheriff who finds it easier to follow his own rules while contending with the local criminal element than to abide by the constraints of probable cause. This particular entry in the series relating of Pusser's deeds was made for television with its original title being "Letter of the Law", and chronicles how Buford decides to use very old county laws and statutes which have not been revoked or superseded in order to keep control of his office against the opposition of well meaning citizens and of lawbreakers. The script is actually rather leisurely in spirit with a number of scenes written in the main to supply local colour, including some humourous and musical moments, and there is some opportunity for character development, but the film's mass media lineage has infected its climactic minutes, with formulaic actions abounding as Pusser singlehandedly attempts to vanquish a surfeit of felons. Ken Howard dominates his scenes as bootlegging Danny Boy Mitchell, primary adversary of the freewheeling sheriff, while Sheree North gives us an effective turn as an aging ex-harlot freshly released from prison after seven years for killing her procurer, and who subsequently meets resistance from local bluenoses who wish for her to go elsewhere, and Forrest Tucker produces a smooth performance as Buford's father, but Lane Bradbury as a blemished sheriff's office employee, sinks 'neath the freight of her mawkish lines.