I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

By the time the dramatic fireworks start popping off, each one feels earned.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The plot of Tonino Valerii's men-on-a-mission spagwest bears heavy resemblance to THE DIRTY DOZEN while certain sequences are undoubtedly inspired by the climax of Peckinpah's WILD BUNCH. Despite the familiarity of this subject matter, the film turns out to be an engaging little western that tells its story in a spare, lean narrative. It has a gritty, downbeat flavour, is very well shot and makes fine use of some grand sets and isolated locations. Valerii displays a real affinity with the subject matter and brings Ernesto Gastaldi's script to life in a memorable way.Most of the characters are sidelined in favour of the big hitters, but small wonder when this film features James Coburn and Telly Savalas as protagonist and antagonist respectively. Coburn is stoic, sardonic and a fitting hero, while Savalas plays it subdued throughout. There's also a major role for spagwest stalwart Bud Spencer. Throw in some wonderfully filmed explosions (that put anything Michael Bay's done since to shame) and an epic-feel climax and you have a film that's never less than entertaining.

"A Reason to Live, A Reason to Die" (1972) is a exciting, Civil War-set Spaghetti Western, directed by Sergio Leone's protégé Tonino Valerii and stars James Coburn, Telly Savalas and Bud Spencer.The script by Rafael Azcona, Ernesto Gastaldi, Jay Lynn and Tonino Valerii is hardly original, amounting to nothing but a "Dirty Dozen" rehash, but it is adequate: during the American Civil War, the disgraced Colonel Pembroke (James Coburn) tries to retake a heavily defended fort that was taken by the Confederates from him without a shot fired, a mystery that helps drive his character, by using twelve recruits who he has saved from death sentences.Despite the lack of originality in the screenplay department, the spirited direction makes the story rattle along at a breathless pace to the expertly staged, wholesale carnage at the end. Throughout, the the three leads fare remarkably well and are the only ones who are given any sort of more than superficial examination of their past. The music by Riz Ortolani, all powerful horns, is masterly, compensating for uninteresting photography.The fast pace and direction help raise this Spaghetti Western into a higher plane, turning it into a very, very enjoyable film.

Another western taking place during the Civil War.Colonel Penbroke (James Coburn) is trying to redeem himself after losing a fort to the rebs, and, like The Dirty Dozen, gathers condemned men to take a fort. He only has six or eight, not a dozen, but they manage to get to the fort anyway. Getting in is another matter.This is where it changes from a western to a commando flick, a la WWII. The condemned all die thinking they would be rich off the gold supposedly buried in the fort, and Coburn gets his chance to once again face Maj. Ward (Telly Savalas).Lots of dead Rebs and only Pembroke and Eli (Bud Spencer) survive, but his honor is restored.

You know, I must have missed something here because this story just didn't make much sense. During the Civil War, Union Colonel Pembroke (James Coburn) surrenders his position at Fort Holman to Rebel forces, and once court martialed, makes an offer to Major Charles Ballard to take the fort back with a handful of men. When asked why he surrendered in the first place, he stated that it wasn't important, so we never do find out. Huh?With five outlaws saved from the gallows, and a soldier thrown in for good measure by the Major, Pembroke makes his way back to Fort Holman, dangling a five hundred thousand dollar promise of hidden gold to his rag tag band. Curiously, it seemed to me that once the bullets started to fly, Pembroke lost more men than he started out with, but then again, I wasn't counting. In what looked like the complete reverse of the situation at the end of "Butch Cassidy and The Sundance Kid", it appeared that Pembroke's bunch had the entire Rebel garrison at Holman surrounded, managing to destroy everything in sight while picking off a swarm of soldiers who never seemed to be seeking cover from all the gunfire. Holman's commander, General Ward (Telly Savalas) must have figured that being this close to the end of the flick, he might as well take Pembroke's sword to end it all. The set up seemed to suggest that Ward and Pembroke were mortal enemies, but if they were, I'm not going back to find out why.The print of the film I viewed probably didn't help matters any, it was a cheap DVD I picked up for a buck, and was quite dark and muddy throughout. I will give credit though to Pembroke's military ally Eli Sampson (Bud Spencer), he got an awful lot of mileage out of the old, hey the War is over gimmick. As for the half million in hidden gold - nope, it never turned up.