The greatest movie ever made..!

A brilliant film that helped define a genre

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

why would she want him?This is one of the few times I wish I could score a film 6.5. It's because I found "A Southern Yankee" enjoyable but not as good but far from great. I think the reason is that in Red Skelton's better comedies, you really like him. In this one, however, there's less emphasis on character development and more on pratfalls. Still, it's a nice little film that is worth seeing.When the film begins, Red is a bellboy at a hotel during the Civil War. However, through some ridiculous circumstances, he's able to capture a notorious Southern spy. He then is able to convince the spy's contact that HE is this spy. Can he somehow make it through this mission without being exposed? And, can be manage to somehow win the heart of a pretty Southern belle (Arlene Dahl)?I think Skelton falls down more in this film than his previous films put together--and this is not really a good thing. Pratfalls abound in this one and the ending is very weak--reasons it's not among the best of his films. Still, it's a reasonably agreeable way to spend about 90 minutes of your life.

St. Louis bellhop, anxious to get in on the action during the Civil War's final days, manages to nab himself a Southern spy nicknamed "The Grey Spider"; he switches places with the Spider and infiltrates the Confederate party, falling in love with a Belle along the way. Whether they were working with Bob Hope, Danny Kaye, or Red Skelton here, comedy masters Melvin Frank and Norman Panama (credited as the story writers, alongside screenwriter Harry Tugend) know how to pull off a great gag--whether it be verbal or visual--and manage to keep it going, in the manner of the great silent comedies. A double take can turn into a pratfall, which turns into a lot of pratfalls, which turns into slapstick chaos. No matter what your taste about physical shtick, Frank and Panama usually employ their prowess with bright efficiency, and "A Southern Yankee" has many laugh-out-loud sequences (the double-sided flag, the pine cone on the stump, and all the early business in the hotel). Director Edward Sedgwick maybe should have let Melvin Frank direct as well, as several of the nutty set-pieces (such as the dentist's office) look too much like staged gags. However, when the pacing grows cold there's always Skelton to rely on, and he's very funny and ingratiating throughout (particularly the way he says "Sallyann"). Amusing premise isn't just an excuse for the slapstick, but functions quite well on its own, and the costumes and battlefield sequences are rather impressive. **1/2 from ****

Contrary to popular belief, A SOUTHERN YANKEE is NOT a remake of Buster Keaton's 1927 silent THE GENERAL. Both films take place during the American Civil War and include gags devised by Keaton -- other than that, there's little resemblance. (The only remake of THE GENERAL is Walt Disney's 1956 THE GREAT LOCOMOTIVE CHASE.) YANKEE's story, by the writing team of Panama and Frank, was later recycled in part for THE COURT JESTER (1956, also by Panama and Frank -- and starring Danny Kaye).Keaton's contributions to YANKEE include his suggestion to the producer that the opening scenes be toned down in order to make Red Skelton's character more sympathetic; the memorable two-sided flag gag (derived from a two-sided costume gag Keaton used in his silent days); some of the climactic chase sequence (a gag with a horse and a dress is lifted directly from Keaton's 1923 OUR HOSPITALITY); and, presumably, the acrobatic dentist sequence and, very likely, the astonishing scene involving a 19th century "lawn mower" and a land mine.

Note to readers: This is "A Southern Yankee", not to be confused with the Bing Crosby classic "A Connetticuit Yankee in King Arthur's Court"(1949)."A Southern Yankee" is a good film, but I must be harsh in my critique, due to it being self-admittedly based on Buster Keaton's "The General". That said, this movie falls short. Mainly, this film lacks in how the story is played out and the gags used.At the same time, "A Southern Yankee" is not a bad movie. In fact, it is a very good movie. I think anyone who chooses to watch it will enjoy it. It is light hearted, and has a couple unique and funny sight gags. It's a good film for the family to sit down and enjoy together.Again, it may not be as great as "The General" (I must admit it's hard for any civil war comedy to climb out of the shadows of that movie), but it has dialog, and is fun. See "A Southern Yankee". I would also urge anyone to see "The General" for one of the best comedies of all time (and for comparisons sake).