Very Cool!!!

Masterful Movie

I gave it a 7.5 out of 10

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

A TOUCH OF ZEN unfolds in Real Time (up to a point) and the beautifully casual pace of the opening scenes draw the viewer in in the way movies always SHOULD but seldom DO. The cinematography is wonderful, and much of the movie seems to have been shot using natural light (something I've always tried to do). There are some great selective point of view shots along the way, as well as a dimly-lit and eerily suggestive nighttime battle that's all the more realistic for its lack of light. (One can't help but wonder if these nighttime scenes looked better on the Big Screen, as film is a chemical process involving exposure to light and the DVD is an electronic medium. SEVEN, for instance, which literally had varying degrees of Light exposure within a single frame, looks completely different on a television screen than it did in a theater.) It's only fitting that Hsu Feng should have starred: without a doubt, she was one of the most beautiful actresses to ever grace the Big Screen. And the baby was a nice touch, too.

Once there was a time when I thought Crouching Tiger, Hidden Dragon was the very best martial arts movie man could make. Both visually and story-tellingwise it was a joy to watch, and the fight scenes were the best ever with their unrealistic features. Once I saw King Hu's martial arts masterpiece A Touch of Zen I was rather surprised since it exceeded in almost every level. First released in 1971, this great film hasn't lost any of its power or splendor which is a fine merit on its own.In the beginning of the movie we follow the everyday life of a poor artist Ku, an unmarried man in his thirties, who is living in a rather small town with his mother. This first part of the film (for it can roughly be divided into three parts) plays much like a family drama with some small comic moments. Ku's life gets a little more interesting when he notices strange people walking around town, a mysterious man visiting his studio and befriending him, and some strange noises coming from a house that is rumoured to be haunted. All this and the love (or is it just lust?) he feels for a certain woman change his life completely.The next two parts offer a very different experience each providing the story with politics, war tactics and a growing spiritual element of mystery through beautiful photography, great direction and awesome fight scenes. What really stands out in the martial arts part of the film is how real it feels. I know it isn't real; some leaps and moves the characters make just can't be done in real life, but the clanging of the steel, swooshing of people's clothes when they perform their moves and the sound of footsteps are so impressive that I found myself holding my breath at some scenes. This is also helped by the near perfect choreography. It's nothing like the tricky and lightning-fast movements in CTHD and I like this much better. The fighters are really observing each other's moves to know when to strike.I really can't find any serious faults in this movie. Being over three hours long there wasn't a single wasted minute. Any yawning I did was due to the late hour when I was watching this. It is true that the film moves slowly forward but I think it's necessary for the atmosphere to develop. The director really knew what he was doing since all the important scenes have that special quality to them that can only be acquired when superb direction, believable acting and a great sense of situation come together. The use of light is especially worth mentioning since it is so well done. The fight in the forest where light shines through the leaves creating a dreamlike scenery in the background has got to be one of the most captivating things I've seen on film.A Touch of Zen is one of my favourite movies. It is very well executed in every way imaginable, and definitely among the best martial arts movies. If you like this type of movies where great action is mixed with spiritual elements and a search for peace, you must see this beautiful movie. It won't leave you cold.

With all due respect to the HK Movie Association who puts this movie as #9 on the 100 best Chinese films of the last 100 year, I believe this movie is rather dated. As with "Lady Snowblood" (1973) which I put in my two cents recently, they might be at the vanguard of their respective genres at the time, but now, 30 odd years later, they haven't age well at all. This happens, I think, especially with genre movies where technology plays an important part. Dramas such as "Rebecca" (Hitchcock) or "Now, Voyager" (Bette Davis), which are still some of my all-time faves, fare much better because technology won't really make them better; they already have great direction, story, pacing, acting, etc.I also want to dispute a reviewer from UK who mentioned that this movie is much more Chinese than "Crouching Tiger" which is too westernized. I can't disagree with him more. Having actually read the wuxia novels that many of these movies are based on, I have to say "Crouching Tiger" beautifully captures the lyricism and essence of the wuxia world without any Western influence. But I digress.The pacing of this movie is really too slow. Fully an hour was devoted to people, chiefly of the male protagonist, walking around and around in that same little village. An HOUR of nothing much happening to propel the story! As a matter of fact, a large portion of the 3-hour movie time is eaten up by showing people walking from point A to point B which is totally pointless. The bamboo forest scene will remind many of a similar scene in "House of Flying Daggers" and is probably its inspiration. Alas, it was done much better in the newer movie, due to better choreography, wire works, and kinetic energy that "Zen" sadly lacks. Same argument for all the other set pieces. The ending is anticlimactic since there is no tension when one party is the living Buddha (or something like that). The use of negative film to denote some sort of divine intervention is jarring and a little laughable.During the opening credits, it indicates that this movie is based on a book which is written in the Manchu dynasty, probably in the late 18th or early 19th century. I don't know of a direct translation of the book but it is available in English with the title, "Chinese Ghost and Love Stories" by Pu Songling (I coin him the Chinese Edgar Allen Poe). It is one of the premiere books in Chinese literature. Not all his stories are about ghosts but all have a fantastical element and most have a moral to it. But the book are all short stories and none is long enough to be a novella; so stretching a short story to 3 hours entails lots and lots of padding; hence, all the walking. I haven't actually looked for the story that the movie is based on but I can say for sure that in old Chinese society and in Pu's stories as well, no woman who is from a respected family (as the female character is) would bed down with a practical stranger, EVER, unless she is a demon or a ghost, which does happen quite frequently in his stories and are almost always not a good thing. It probably had happened in real life when there was a strong attraction, but she was basically feeling pity for his mother and so decided to give her virginity to him. Yeah, I don't think so! The DVD quality from Tai Seng is abysmal which probably also contributes to my discontent. The transfer is horrid; pixilated (like in a VCD) in some scenes, looks like it's forever raining in dark scenes, some black spots permanently imprinted on the screen throughout the entire movie. The big fight scene that happens at the deserted house at night is so dark that is practically unwatchable. Moreover, the audio is muddy and barely audible even with volume turns to the loudest.The Chinese title is translated as Heroine but the official English title is a better description of the movie given the spiritual element in the movie.

I just never expected anything like the experience of watching "A Touch of Zen". I settled down to watch a quaint old film from 1960s' world cinema. Three hours later I was exhilarated after stumbling across of the greatest films made in the 20th century - and it wasn't a moment too long.The film is carefully structured, in three contrasting sections. It is only when you look back that you realize just how cleverly King Hu has created those three sections. The same characters, for the most part, appear in each section, but each focuses on a different combination. The first section focuses on the artist Ku, slowly building a picture of a quiet life in a rural backwater. The second switches tempo, with amazing martial arts action focusing on the fugitive Ku and her friends. The final section calms down again, as the mysterious Buddhist monk comes into sharp focus, and the martial arts become more and more amazing.All this takes place in the most beautiful Chinese countryside, sometimes bathed in light (the use of sunlight and the monk is particularly impressive) and sometimes in dramatic thunderstorms, making the film even more of a delight to watch. Don't be put off by the 'kung-fu' label, this is even better than "Crouching Dragon, Hidden Tiger".