Yawn. Poorly Filmed Snooze Fest.

brilliant actors, brilliant editing

The best films of this genre always show a path and provide a takeaway for being a better person.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Successful New York artist encounters a bunch of weird guys (do artists know anybody else) and wants to maintain her independence by having sex without falling in love. Sound familiar? You bet, it is just about every episode of "Sex and the City", without the female support group, the guys pick up the ball.Although rather mundane, the character interactions manage to bring a smile to my face, like an episode of "Friends".Definitely worth a rental, if you want a "Chick Flick" without a whole hell of a lot of chicks to muck it up.

As soon as Cynthia Nixon's character spies the naked Brat (Timothy Oliphant) sleeping in her gay friend's bed and her eyes betray her interest, we know that they will be together by the end of the film. That's the way movie cliches work. Missy (Nixon) a pop-fad artist, who has an amazing success showing home movies of her childhood with narration, is having an affair with a married man whose character is given in the credits as "Suit" (Jon Tenny). If there is humour in this film, I missed it. Obviously the final confrontation scene in the diner with a commenting chorus of patrons is meant to be a hoot. But it's too far-fetched and contrived even for this film. And one can't really have a "Romance" if one doesn't care about the characters involved in said romance. But I think there is a greater problem with this film. Let me explain. If films continued to depict Afro-Americans as toadying Uncle Toms, I am certain that here would be vehement cries of anger and protest. Yet this film dares to portray a gay man as the swishy, queenly creature that bigoted Americans think all gays are. Worse than that, it tells us that any bi-sexual man can be "cured" by the love of a good woman. Yet even accepting this preposterous and insulting thesis, it is inconceivable that Timothy Oliphant's character would have Andy Dick's homely, effeminate character as a regular sex-partner and/or fall in love with the irritating creature played by Cynthia Nixon. This film not only angered me. It was an insult to my intelligence.

My girlfriend has the habit of going to Blockbuster and choosing movies no-one has ever heard anything about. Admittedly, at times, it has led to some fun discoveries. Often times, the best that can be said is they definitely run an hour and a half.She brought home "Advice From A Caterpillar." She was excited because the box said it was funny. Lucky for us, the propaganda on the boxes never lie.This movie was an exercise in patience. This is one of those movies where, unless you are a pretentious and shallow person who likes watching movies about yourself, you will hate every character in the movie. Until the introduction of the one nice character. Which the lead annoying pretentious character will fall in love with and act in such a way that, in the real world, would drive anyone away.MILD SPOILERS FROM HERE ONSo a bunch of emotionally vapid, stuck-up, pretentious artists swear off love and find success in their careers. Then, they meet a nice, intelligent, emotionally mature and loving character (an almost perfect guy). We then watch the woman, the annoyingly pretentious artist (in her 30's?) freak out as she falls in love. So she tries to flee from the nice, intelligent, emotionally mature man and stay with the married man with whom she's been having great but empty sex. She is rude to the man and does everything in her power to drive him away. In the real world, she would have been quite successful. I certainly wanted to flee from her and I wasn't even in a relationship with her!Although its nice that the man 'fought for his love', I never wanted her to have him. (Nor did my girlfriend) She didn't deserve him. And, why I wonder, did the director think that the 'almost perfect guy' should be punished by having to win a relationship with her? When the artist was asking the 'almost perfect guy' to leave, we were screaming for him to leave too. There's a problem with a movie when the heroine of the film is so annoying, childish and stupid that you want her to fail.Beyond that, let me say that Andy Dick made me laugh a few times even though his character was also pretentious to the point of annoyance. Regarding the other characters, they were well acted, morally bankrupt and annoying characters.It is a comedy and I can say I did laugh a few times in the film. Unfortunately, not much laughing happened until the last 10 minutes or so. But by the time I had those laughs, I had been praying for the movie to end for far too long. I needed to get these vapid characters out of my life.If you want to watch people you hate struggle with a love for people they don't deserve, then this is the movie for you.

This film concerns purportedly non-establishment types (aesthetically and sexually) who apparently cannot resist basic romantic needs. Although some excellent players take part, including Jon Tenney, Timothy Olyphant, and Cynthia Nixon, they are grounded by a puerile script which relies nearly totally upon clever dialogue; which isn't. Nixon's role possesses the best lines, but she often homes in on them too quickly, a timing flaw which must be saddled upon the director. The grotesque climax utilizes every available cliche, spent or not, and fittingly ends this drab attempt at comedy.