Some things I liked some I did not.

Perfectly adorable

Expected more

The movie is wonderful and true, an act of love in all its contradictions and complexity

Tyrone Power, Alice Faye and Don Ameche star in this movie musical, which was nominated for six Oscars at the time, including Best Picture, winning one for Best Music Score. Tyrone has been studying and playing classical music, so when mother hears of him taking up this old ragtime music, she doesn't speak to him. But Tyrone as Roger has had an inner longing for this type of expression. He and his band, which includes Don Ameche, tries to find a job at a restaurant that has floor shows. Of course, Alice Faye is there, trying to get her music heard, played and sold. When they need something to play for an audition, her music is swiped by their bartender friend. They start to play and she fumes. "My music." So, she chimes in, with "Come on and hear, Come on and hear Alexander's ragtime band...." She is a sensation. Or are they? They get the job, but as a package deal, not separately. Neither Alice nor Ty are happy about it, as they fight like a rooster and hen. And, Don Ameche took to her right away. Get the picture! The movie itself is very well made and makes for entertaining melodramatic escapism. While this is certainly more than just a musical, with its three-dimensional characters, the songs are superlative. There were a lot of great songwriters in the early 20th century, like the Gershwins, Mercer, and others. And, they all had their own style. But no one could write 'em like Irving Berlin. "Alexander's Ragtime Band" is one example of how thrilling his songs were. If you've never seen this film, you must see it. It has gotten somewhat overshadowed by "Singin' in the Rain" and other more well-known major movie musicals, but this is an essential to musicals and is time well-spent with good actors.

The music is wonderful in this film, with a story pieced together using classic Irving Berlin songs. The chemistry of the leads-- Tyrone Power, Alice Faye, and Don Ameche-- can be described as sweet (though a little too sugary if you are not a romantic at heart or if you are on a cinematic diet). At times Alice Faye seems to be channeling Jean Harlow, but that is quickly forgiven when she starts to sing. Ethel Merman is also present and adds extra musical credibility to the proceedings.The best moment, in this writer's opinion, is when Miss Merman sings 'Blue Skies,' then Miss Faye goes up on stage and sings it with her and the others. But this is more than a hodgepodge of tunes, and there's an interesting storyline involving Faye and Power that takes several enjoyable, if not entirely unexpected, twists and turns. The film could be remade easily with modern musical stars. Why not? You cannot go wrong with the timeless quality of Berlin's music.

What a wonderful musical for Tyrone Power, age 24, to appear in 1938.When fate brings Miss Kirby to the band, the 3 become instant pals. The 3 being Don Ameche, Power and the wonderful Alice Faye. Faye gives by far her best performance in pictures. At the beginning, she shows depth in playing a loud mouth common person in the way of Stella Dallas. She matures beautifully as the film develops.Fate also intervenes when Stella Kirby is offered a role on Broadway, but she must leave the band. Power is bitter, but it's just in time for World War 1 and he goes into the army. Upon his discharge, he learns that Charlie (Ameche) has married Stella.While the marriage doesn't last, Power has made a name for himself with the band and Stella discovers that he has a new love interest in his life- Ethel Merman. While Merman has the voice, she is not exactly the other woman type in films. She sings her songs in timely fashion but she doesn't belt them out as she would do years later.How Alexander (Power) and Stella come back to each other is the rest of the movie. Done with lovely musical fanfare, "Alexander's Ragtime Band" must rate as one of the best musicals that Hollywood ever turned out.

Roger Grant, a classically trained violinist, is leading a small band in turn of the century San Francisco with little success. One fateful night, Stella Kirby, brings sheet music of Irving Berlin's new song, Alexander's Ragtime Band. Stella sings while Roger plays the song, and all three are a hit, despite the friction between Roger (who now is the Alexander from the song) and Stella. Obviously there is hints of romance between the two, but fellow band member Charlie Dwyer completes the love triangle, and is the one who captures Stella's hand in marriage. Roger/Alexander and his band tour the country and entertain the troops overseas in World War I, and returns to the US a sensation, while the marriage between Stella and Charlie falls apart because the two realize they are not the ones meant for each other. Stella tries to rekindle the romance with Roger, but singer Jerry Allen has fallen for the band leader, despite being somewhat indifferent towards her. Roger, Charlie, and the rest of the band perform a concert reuniting everyone, while Stella feels on the outside thinking she has no part in Roger's life. The film's story line is predictable, full of holes, and mushy and the performances are enjoyable at best, but the film carries such an energy thanks to Berlin's music, as well as the singing from both Faye and Merman (who does stand out in this early role). The musical numbers are quite different from the ones preceding it, which does keep the movie fresh. Rating, 7.