It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Much of the shorter dialogue read in subtitles to me as almost being non-sequiturs. "You're pulling my arm out!" This being said when the visual action showed nothing of the kind? This repeated sort of response had a deadly effect on me since it caused me to remain a great distance from most of the characters. If the translation was right on the money then Is this how they speak to one another? Mamet-speak? From the visual performance of Alexandra I found a largely cold and unsympathetic person, seemingly caring only for herself and occasionally for her grandson. I also found something strange about how many of the young soldiers looked at her. On a couple of occasions, even though I instinctively knew the story wasn't going to go there, I thought some minor indiscretion was about to take place. I found A.'s wandering into a war-brutalized Chechnian town unbelievable; she would have been waylaid and robbed. All in all I found situation after situation of the interactions of the soldiers with each other as well as with her strange and hard to fathom. Is the director saying this is what war does to soldiers? Having been in service during a war, though not in a combatant role, any time a female civilian dropped into our midst away from the shooting, at a base or facility, we were solicitous to the point of high sentiment: these were our mothers, sisters, girlfriends, grandmothers. Are we to believe that the unemotional looks the young Russian soldiers were aiming at Alexandra meant they are a species so far, far removed from their young American counterparts? Strange and remote movie, this 'Alexandra'.

I don't know many grandmothers that would take a troop train across Russia, then get on top a troop transport to visit their grandson (Vasily Shevtsov), an Army Captain in Chechnya. But this grandmother (Galina Vishnevskaya) did. It was certainly an arduous journey for the elderly woman.The films color is appropriate for the hot and dirty climate where here grandson is stationed. The soldiers are all shirtless and just sit around waiting. The other soldiers watch her with fascination, probably thinking of home and their own grandmothers.She makes her way to the market where cigarettes are priced depending upon you rank. The locals look at the Russians with disgust. She manages to connect with a local, Malika (Raisa Gichaeva), who treats her like a sister.It is not a place for a grandmother, but she manages to connect again with her grandson before he goes off on a five-days mission, and she boards the troop train home.It was only anti-war in a subtle sense. The futility of it all was visible, but not exaggerated. Maybe the futility was finally recognized as the Russians are to leave Chechnya soon.A very good story.

A sublime ode to ordinary people in times of war; a cry, a silent scream for a drop of normal and decent life which was taken away with no particular reason. As the plot, deceptively uninteresting, is dragging towards the end of the film, this silent scream is raising in viewers throats, making you want to explode of anger, finding no answers of why are such things happen if the only thing you want is to live and let live! An excellent display of anti-war emotions, shown through long scenes of shattered and dusty life in a war zone. This film is not only about Chechnya and Russian - Chechen conflict. Every person who experienced grieves of war can find relief after such movie. Very nice peace of art!

This film makes a good accompaniment to Beaufort, which I saw the night before this at the Melbourne International Film Festival. While both are very different stories, they use similar visual techniques and are war films with subtle anti-war messages. Aleksandra is an elderly woman who visits her grandson, a Russian army officer, at his army camp inside Chechnya. The entirety of the film follows Aleksandra, including her lengthy journey on the train with other soldiers, her arrival and her interactions with various incidental characters.The film is very observational, capturing the strength of character of this feisty woman who is intimidated by neither the macho Russian soldiers questioning her identity and what she is doing in this godforsaken place (in the middle of a scorching summer), nor by the hostile Chechens whose towns have been obliterated by the Russian army.Any critique of war is subtle and in passing. Even if this was the director's primary intent, he keeps the audience focus on the humanistic elements of the film. There is excellent character development, and the naturalistic depictions of camaraderie and bonding of unlikely friends is very moving. This is a well-written, original and quietly accomplished film that will appeal to audiences who are not fond of war films.