Ali Baba and the Seven Saracens
Ali Baba and the Seven Saracens
| 18 December 1964 (USA)
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A rebel leader returns to his city for a final confrontation with the evil king he is fighting. However, he finds himself attracted to the king's beautiful niece.

Reviews
ada

the leading man is my tpye

Fluentiama

Perfect cast and a good story

Tayyab Torres

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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Jerrie

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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Rainey Dawn

Costumes, props, sets and locations are nice, so are the horses and a couple of battle scenes are great but that is just about it. No one in the film caught my attention, the story didn't grab me so I was bored with it. The film wasn't even campy or even unintentionally funny enough to poke fun at.There is a heroic(?) dwarf crawling around in a tunnel this is suppose to give a little comedy relief but I didn't find him funny at all.I'll speak of the male's costumes again - I loved them. In particular I loved the guys in black with the red hats. The females were is okay looking dresses, only one or two of them I found barely pretty.Costumes, props and sets are really the only thing I liked about the film.2/10

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Leofwine_draca

Imagine a cheap peplum yarn with the loincloths replaced by colourful glittery clothes and what you have is ALI BABA AND THE SEVEN SARACENS, an often hilarious and entertaining far eastern adventure yarn, Italian-style, which follows as familiar a plot as there is. The good guys get captured, escape, are captured again and escape to triumph. Lots of action punctuates the story whilst characters change allegiance and friendships grow. From the very beginning you know that the bad guys are going to get what they deserve and the good guys are going to live happily ever after, but there's enough going on here to make you forget about the storyline.It's clear that there wasn't a lot of money around to make this production, so director Emimmo Salvi cuts corners by filming in a quarry somewhere in Italy and on some really cheap sets on occasion. In fact most of the action takes place in one location, a castle and its huge courtyard, so don't expect any lush eastern backdrops as the title might suggest. The different setting is never exploited at all; change the characters and costumes and this might as well be a peplum film, the story is so straightforward and simple. There are even gladiator fights and chariots, so one surmises that the far eastern angle was tacked on to make it a bit more intriguing than your standard peplum film.The never heard-of Rod Flash stars as Ali Baba, and is about as wooden and uninteresting as you could get in a peplum film; personally I prefer my Italian hero to be a strongman (unless it's Cameron Mitchell) so Flash makes little or no impression. His thunder is stolen by Gordon Mitchell, who gives a fantastically over-the-top performance of scenery chewing as Omar, the evil bad guy. Mitchell delivers his cruel dialogue with relish and really seems to be having the ball, instantly adding to the entertainment value of the film. Also hanging around and looking voluptuous is Bella Cortez, a peplum mainstay and as beautiful as ever here. Amusing supporting characters include a guy with one of the most hilarious depictions of a nervous tic in screen history, and a wisecracking comic-relief dwarf who spends the entire running time crawling around in air vents like some miniature Bruce Willis.Although the story is less than impressive, the action scenes are fluent and entertaining. Their simplicity gives them a raw power which I liked and you always know that somebody is going to fight in the next five minutes, so things never become boring. The finale involves a huge uprising against Mitchell and his soldiers which ends with a fantastically gory gag, much to the viewers enjoyment. On top of this, there's an over-the-top music score which goes out of its way to be exciting and plenty of bad dubbing to be enjoyed (!). All in all a fun way to spend eighty minutes with a cheesy Italian adventure yarn.

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hansbearnl

Is it possible to give any rates to a movie like this one? At first I thought they should have the option to give 0 points, but well, let's see what happened to me while watching this movie.First of all: I was amazed that I could sit it out till the end! Maybe that's because if you watch this movie as a comedy, you can have a good laugh, although a glass of alcohol or something else stimulating might be needed to help you really laugh out loud.Imagine, a Princess like Fatima going back to Ali Baba, telling him that she loves him, while only about 1 minute ago in the movie she cries with horror when she discovers his necklace!So where did I find my points? Well, first of all the actor who plays Ali Baba is quite sexy, and at the same time so clumsy that it looks like a slapstick. Halfway there is some exotic dancer who, according to me, must have been one of the first actors ever to have come out of the closet simply by dancing like this in a movie :-) And finally, we see a great cat-fight (two women fighting), so there you have my 3 points.No, sorry, I can not say much to encourage you to watch, unless you are like me, you want to watch anything you can watch simply to be able to vote at IMDb.... and I would say, THAT's a good reason as any other!Hans

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mthfllof

in the version i saw, ali baba and the seven saracens, the actors did not so much "act" as they walked around and shouted lines in the ear of the person standing next to them --- lines such as "swine dog, if i ever see your face again i will kill you. now go away and fetch me my dinner" and "no, really, nothing is wrong. AAAAA!!! AAAA!!! no, its nothing. AAAA!!! AAA!!! AAA!!! i tell you its nothing. AAAA!!!"however it may not be the fault of the actors, considering the english dubbing is worse than any japanese horror flick.ali baba falls in love with a girl who saves his life. he soon gets captured (read: gets knocked out by getting hit in the head by a pole) which stalls his chances to overthrow omar, a clint eastwood type who broods a lot, yells a lot, and likes to walk around topless. off the the dungeon goes ali baba.meanwhile omar discovers that in order to become accepted by the magi and become faja (your guess is as good as mine) he must fight the saracens when "the moon blocks the light of the sun."before i continue i must mention the orchestration which seems to go by the rule "fill any silence with a horn and a cymbal" and on occasion you can actually hear the dialogue clearly.okay. while fatima, the girl ali baba loves, is taken to a dungeon over-seen by a shawl-encrusted nymph with a whip, ali baba befriends a midget who is impressed by ali's manliness. the midget, named "jookie", crawls through the air vents (!!!) and comes upon the dungeon where fatima is. he interrupts their conversation about eunichs (!!!) to tell them of an escape plan at midnight and by "midnight" he means "noon" since all the action takes place during the day. then comes the escape which leaves poor jookie tear-ridden.there is a swordfight. fatima leads ali baba behind a decorative pillar and kisses him. omar emerges and smacks a few people around while flashing his nipples at the camera. wow. this is in the first 45 minutes!as for rating the film i must say i was entertained quite a bit by the lack of talent all around. the ms3k value is high so watching with a group of people with that in mind might be a good idea.

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