All in a Night's Work
All in a Night's Work
G | 15 March 1961 (USA)
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After the sudden death of magazine publisher Colonel Ryder, his nephew, Tony inherits the magazine and has big plans to expand it. While negotiating a loan from the bank, Tony gets a call from a detective surrounding his uncle's death. It turns out Colonel Ryder died in his hotel room with a smile on his face and a young woman was seen fleeing his room wearing only a towel. Suspicious of this woman and afraid the magazine's wholesome image may be tarnished and their loan denied, Tony asks the detective to stick around and find her.

Reviews
EssenceStory

Well Deserved Praise

Tayloriona

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Rosie Searle

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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moonspinner55

While on vacation in Palm Beach, a research analyst from New York City saves a drunk from drowning--in doing so, she ruins her new dress and is seen sneaking out of a millionaire's hotel room wearing only a towel. The rich guy, a publishing magnate (whom the girl works for!), never even sees her--he's dead in his bed. When his nephew (Dean Martin) takes over the magazine empire, he's made aware that his womanizing uncle was seen with a tootsie on the night of his demise who might be tempted to blackmail the company (how they come to that conclusion is anyone's guess). Anemic sex-and-big business comedy is a big step down from "The Apartment" just one year before. "Apartment" co-star Shirley MacLaine (who received an Oscar nom for her work in that film) is back doing the same kind of scatterbrained, breathlessly 'adorable' work she did in all her pictures leading up to "The Apartment". The comic situations are desperately juvenile, such as MacLaine's beau (Cliff Robertson, acting the stiff) coming across the mink coat Shirley acquired after her good deed and embarrassing her in front of his stuffy parents. The screenwriters (Edmund Beloin, Maurice Richlin and Sidney Sheldon, adapting Owen Elford's play) frantically iron and re-iron their story wrinkles, substituting wit with groaning one-liners. It takes one tipsy scene from MacLaine to get an honest laugh, the rest being ham-handed and overplayed. ** from ****

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Spikeopath

The film is OK because it has two leads with great chemistry, the Technicolor is delightful and ultimately it's harmless fun to view on a dark rainy night if you are stuck for something to watch. But really the picture doesn't add up to anything outside of a time filler. Based around the Owen Elford play, it has a couple of decent sequences; witness Dean Martin at the vets and Shirley MacLaine trying to keep her modesty as she escapes from a hotel room, but the sense of cramming gags in for gags sake hinders the flow of the picture.Both Dean Martin & Shirley MacLaine are fine here, both handsome in equal measure, while Cliff Robertson stands out a mile from the rest of the supporting cast, yet in truth, as Rom-Coms from the 60s go, this is way down on the list of must sees for prospective watchers of the genre persuasion. 4/10

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mdm-11

Dean Martin and Shirley MacLaine are teamed in a charming romantic comedy reminiscent of the Day/Huson outings. Martin is the playboy heir to a family fortune, who owes his life to MacLaine, who saves him from drowning in a swimming pool. A series of coincidences make everyone believe the young beauty was "involved" with Martin's rich uncle, who mysteriously passed on in his hotel room. Who can blame anyone's wicked thoughts, when MacLaine apparently escaped the old millionaire's room wearing nothing but a bath towel.This is pure Hollywood fun, complete with that special dose of naughtiness, briefly popular during the early 60s, until that sort of comedy was again frowned upon as tasteless. Enjoy the two Rat-Packers (Martin and MacLaine) in a bit of lavish escapism from Paramount Studio's Golden Age!

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Emmjewels

One of the funniest (my opinion only) Dean Martin and Shirley Maclaine movies I've ever seen. I never miss it, when it's shown on cable t.v. Can't understand why after so many years it is "not" yet available on VHS and DVD? I'm still waiting!!! Will definitely become part of my video "library."

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