It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

ALL THE LOVE YOU CANNES! is a follow up to the equally entertaining Troma documentary APOCALYPSE SOON, which explored the making of CITIZEN TOXIE. This is a sequel of sorts as it follows an uninvited Lloyd Kaufman and his team to Cannes where they attempt to drum up publicity for their film and studio and sell the rights where they can. Basically you get a bunch of naked, screaming, blood-drenched cult movie veterans and fans marching around and kicking up a storm among the penguin-suited honchos attending the famous festival. It's funny stuff, featuring celebrity cameos and Sgt. Kabukiman, so expect endless jokes, surreal situations, comic interplay, and Kaufman shooting the breeze.

All the Love You Cannes was a very entertaining documentary. I am a new Troma fan and a lover of independent movies, especially those in the horror genre. I recently attended Dragoncon in Atlanta,GA and met Lloyd Kaufman who was very nice.The Troma team use some original techniques in trying to get the Troma name out there in this doc. It seems that while Kaufman has a good head on his shoulders, some of his employees(particularly one obnoxious fellow) do not. The doc shows the struggle of a small studio fighting to get attention away from the majors.Particularly the theme of breaking the monopoly that the major studios have on not only the Cannes film festival but the business in general is always prevalent in the doc. If there's one educational thing about this film, it is that most "independent" movies are not that independent at all. A film that is truly independent will have to fight to be seen, and tactics out of the norm may have to be used.

This film was a true test of endurance...I was almost tempted to walk out of the theatre on many occasion as the "threatrics of Doug & Gang" can be a tad overbearing...A redefinition of artistry is in order after witnessing TROMA pictures' marketing efforts...But then one gradually understand the theme of this thrashy docu, and must admit its pretty lofty, "that of the struggles indie film makers have to go through to make themselves heard & seen, in our oppressing times of monopolistic movie cartels."The levels of desperation those sorry bunch of people descend to, is afterwhile(after the desensitisation to their horrid antics),....sad.In summary, Loved that dog, hated Doug's guts, and sympathies to everyone working for Carlton Hotel. Most importantly, Scott should quit his thankless job;). Then again, the docu is so manipulative, don't be surprised if everything from start go is "staged"...An unforgettable experience(not necessary a good one).....

Known for what must be the cheapest and cheesiest of the indie film world, Troma films takes on Cannes with gallons of fake blood, the Tronettes, and numerous hijinks by an uncontrollable group of volunteer Troma fans, costumed, naked, and did I mention covered with blood? The most ultrazany documentary ever made? Well its on the list anyway. Whileany publicity is good publicity, the low budget Troma films must wonder what this will do to their reputation. And I think they're thinking, woohoo!