A different way of telling a story

The film makes a home in your brain and the only cure is to see it again.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This is yet another remake of the Honeymoon Killers. It is very loosely based on the infamous Martha Beck and Raymond Fernandez lonely hearts murderers. The real life killers would answer ads and Ray would seduce widows with Beck posing as his sister. They would take the money and run after killing the old ladies. This Belgian version changes the tale dramatically with the pair seducing younger women. The acting is good but I was not thrilled with the story line. I recommend The Honeymoon Killers as a much better movie. Tony Lobianco and Shirley Stoler are perfectly cast as the murderous pair.

I'm not really a fan of modern-day serial killer films, unless they happen to be made in the East (a region that continues to put out excellent examples of the genre, including THE CHASER and KILLERS). I love the old classics such as 10 RILLINGTON PLACE, but too often these modern versions merely serve as an excuse for torture porn (as in the execrable Spanish H6: DIARY OF A SERIAL KILLER) or are far too arty for their own good.ALLELUIA falls into the latter category, and only now do I realise it was directed by the same guy who made the equally lacklustre CALVAIRE. The story is about a couple of weird characters who go on a killing spree and cut up various middle aged women, but there's hardly any more plot to it than that. Instead, director Fabrice Du Welz is content to focus on one bad taste scene after another, whether it be the violence inherent in the premise or unpleasant scenes of explicit sex between middle aged characters. I thought I was watching STRANGER BY THE LAKE again at some points! Despite the presence of some familiar actors in the case, including THE RETURNED's Laurent Lucas, this isn't really an actor's film as the director is too involved with trying to make it look stylish and arty. Instead, it looks cheap and grubby, and the subject matter is so off-putting that I could barely watch it. In fact, I hated ALLELUIA from beginning to end and found no redeeming values in it whatsoever.

Based on the same true terrifying history that was the blueprint for Deep Crimson (1996). It shares with that film, the same naturalness in which the warped way of thinking of the murder spree couple is relayed. However this 2014 version is set in Belgium, and there is a lot of deviant sex and gore-ish bloodshed on display. Despite being rather squeamish myself, the magnificent acting and the story itself held me captivated from beginning to end. The director treats us to various cinematographic effects (sometimes music video like) to create a certain mood; in particular to embellish the perverse. Despite, the gruesome content of the film, there were moments where I was in stitches with laughter, because the main actress, Lola Duenas, was so convincing in her role, that when she was howling with laughter, so was I. The same goes for male main actor, Laurent Lucas. Both manage to convey excellently the pitch black humour present in the script. The song featured half way throughout the film, out of left-field momentarily converting the film into a musical, also adds to the macabre aura of the main character, and is a -break the fourth wall- moment, intensifying the creepiness you are then irrevocably immersed in. This song is fully fleshed out into an electro track to great effect for the final of the film. So it's not just randomly inserted in there.The Belgian director / writer of this film has certainly proved that he is a master of his craft (and in my opinion far outshines his French contemporaries).

Not really lost, but sort of found. That is what you may think of the two main characters. And while the dynamic seems to swing one way at first, it becomes clear that there is something deeper and more Animalistic going on too. Something that is impossible to stop. Americans call something "a glutton for punishment". You could say that for one of the main characters, though he's not always on the receiving end of that punishment. Also how can you stop the unstoppable? It seems to be impossible.Whatever the case, our "heroes" are far out, to use another phrase. You might not be able to connect (actually if you do connect 100% you might wanna check yourself), but it might also be impossible to let go. To not watch this to the end. Unless you have a problem with violence and nudity in movies that is of course. Because there is plenty of that going (literally) around here. There is a message hidden in between all that mayhem though