Fantastic!

Admirable film.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

While it doesn't offer any answers, it both thrills and makes you think.

This is a great horror film. It very underrated. It is not a 3.6. It is better then Amityville horror (1979). It is better then Amityville II the possession. It is better then Amityville 3 the demon. It is better the Amityville 4 evil escapes. The Amityville cures it better. Amityville it's about time is also better. The Amityville dollhouse is also better. Amityville (2005) is also better. This movie has great story line. It is the seventh Amityville movie. It has great acting. It also has great special effects. I give it 9 out of 10. It is no 3.6. People do not like this movie because it is a sequel. See this movie. It is a great movie.

Here we go again, another mediocre entry to the Amityville franchise that seems to get less interesting the further along it goes. I don't know, but I do miss the ominous house itself which featured prominently in the first three films. Sure it has connections and even the image of it appears in the haunted antique mirror which came from infamous Long Island house, but it's just not the same. The straight-to-video fare "A New Generation" is the seventh film, where the terror scraps suburbia for an urban apartment building filled with budding artists who one-by- one fall to the evil entity. An antique mirror is given to a photographer by a homeless man. Soon after accepting the gift, the man starts having haunting visions of a killing spree which might just have some relevance to him. But he's not the only one who's been affected by the demonic force within the mirror, but those living in his studio building begin to find themselves possessed/or infatuated by these dark forces. The plot tries to tie in a little more to the history of the Long House island, especially with the main character's (an affable Ross Partridge) connection to what's actually happening. So most of the time is spent with Partridge's character trying to uncover the truth and dealing with flashbacks. Didn't make it any more interesting though. Predictable and interchangeable. The imitating special effects do have its moments, but there's a real lack of atmosphere and thrills. Sure it's slickly directed, but feels vapid and flat. There's a good supporting cast featuring Terry O'Quinn, Richard Roundtree. Julia Nickson-Soul and a very twitchy David Naughton that do enliven things.Hardly terrible, but rather uninspired.

Mirror Mirror On The Wall: Who Is The Worst Amityville Of Them AllOh the horror! The streak of rotten "Amityville Horror" sequels continues in "Amityville: A New Generation." In the direct-to-video affair, an up-and-coming photographer (Ross Partridge, whose credentials include (1) episode of "In Living Color" as well as playing "Businessman" in the "Prom Night" remake) brings a haunted mirror back to his hip and happening pad. It's not long before the mirror starts distorting reality, shedding some light on the wannabe-artist's past as well as threatening his circle of friends which includes Shaft and Asian-Shannon Doherty in its ranks. Yet another "Amityville" flick where the "Horror" happens outside of the iconic house from the Margot Kidder/James Brolin original, it's no surprise to find "A New Generation" deviating even further from the original formula than before.Not that twisting the formula is such a bad thing -- it sort of worked in "Amityville 1992: It's About Time" (sort of) -- but the execution leaves quite a bit to be desired. For those keeping score, "Amityville: A New Generation" is the seventh installment in the shockingly long-winded and consistently mediocre "Amityville Horror" franchise. It's to be expected that the film isn't exactly top-notch material, but even judging it as a b-movie doesn't do it justice. The plot, if you can call it that, is really just an excuse for the presence of some admittedly cool paintings and softcore nudity (its only redeeming features, really). The horror in this "Amityville Horror" is in its banality. There is simply no tension to be found, and the bloodshed is kept to a minimum. Add this to the fact that hardly anybody in the film (save for Roundtree and Terry O'Quinn, cashing a check in an otherwise thankless role) can act to save their lives, and you have one very tepid experience.Even those who lapped up the schlock served up in the silly movie-of-the-week "Amityville 4: The Evil Escapes" or even the aforementioned 1992 affair will be hard-pressed to find anything redeeming about "A New Generation." To be quite frank, it's a chore to sit through and even when the film tries to twist things in an effort to re-connect itself to its roots, it just doesn't work. Whatever thrills were to be had with this premise were squeezed out by the anemic sequels that came before. Even if you enjoy cinematic junk food like this, approach with caution. This is not only the "Amityville" franchise at its worst, but also bottom-of-the-barrel even as far as '90s horror and DTV fare go.

'A New Generation' is the third Amityville entry to base its plot around writer John G. Jones's premise of an item taken from the Long Island house that causes spectral misery and death for its new owners. First a lamp, then a clock, and now a mirror. However, this is also the first Amityville since 'The Possession' to directly tie in to the real- life events that started the whole series. This time around, Keyes Terry (Robert Partridge), an artist, is given a macabre-looking mirror by a homeless man one day. Soon enough, people around him start to die, eventually leading to his discovery that the mirror once hung in the Amityville house - indeed on the very night a man named Franklin Bronner (Sonny Montelli in 'Amityville II') murdered his entire family. Unfortunately for Terry, his discovery of the mirror isn't entirely coincidental, and he soon learns the truth about his past a truth he's kept buried since childhood.This 7th installment in the often worn-out franchise is something of a disappointment for me. Things were starting to pick up with the silly and uneven, yet entertaining 'It's About Time', and given how much this film tries to draw upon its roots - not the first episode, but the source material itself - it should have been better than it was. However, three trips to the same well with yet another evil artifact from the Amityville house with yet another explanation for the malign paranormal visitations is wearing on me, to say the least. One of the biggest weaknesses of the Amityville franchise is the steadfast determination by each set of producers to completely ignore every other episode in the series. On the one hand, it's perfectly reasonable that they don't want to be tied to someone else's continuity, but at the very least, they could maybe acknowledge story lines that have already been done and just possibly *not repeat them over and over again*.There's also something rather plodding about the way in which the story unfolds, doubtless due to the inevitability this repetition-fest brings. Since you already know what's going to happen, the carefully-paced build-up is simply slow and tedious. Or maybe it's just tedious anyway. Director John Murlowski probably could have done more to heighten the tense atmosphere associated with the mirror rather than simply having it flash red and emit chattering 'evil' voices, which lacks any kind of subtlety. There were times when characters seemed fairly unfazed by its otherworldly qualities. If they don't take it too seriously, why should we?Which is a shame, because 'A New Generation' has a more-than-capable cast. I was going to hold off on watching this until I saw the name 'Julia Nickson' in the credits. She captivated my attention just as she always does, and if anything, I was annoyed her part wasn't more extensive. Terry O'Quinn was equally charismatic and again, underused. Partridge himself in the lead role clearly fits the early 90s over-coiffed lumberjack-shirted square-jawed hero type, and while I'm not sure he really gave it the gravitas needed, it's not as if anyone here is performing Ibsen.The sets are also worthy of note, from the dramatic artwork filling Suki's room, to the claustrophobic corridors featured in flashback/supernatural sequences. Getting the look of these right is especially important given how certain sequences are repeated throughout the film to simulated fragmented memories. Clearly, Murlowski is more of a visual director rather than either an actor's director or one of horror. Unfortunately, it is meant to be a horror film, after all.'A New Generation' sees the same race being run for the third time in 4 years. Add to this the lack of direction where it was really needed and the whole effort fails to stand as tall as it should. However, it should be acknowledged for its strong ties with the source material and some good actors in not necessarily their finest hours. Honestly, the ideal person for this is someone who hasn't seen any of the sequels past 'The Possession', for whom the story won't be such a massive deja-vu trip.