Slow pace in the most part of the movie.

Fantastic!

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Angels in Disguise (1949) ** (out of 4)A rather flat and extremely unfunny entry in the series is perhaps one of the strangest as well. In the film a cop (Gabriel Dell) is shot and injured while his partner is murdered so the Bowery Boys decide to find out who was behind it. Slip (Leo Gorcey) and Sach (Huntz Hall) go undercover in a gang and learn that it's not old-time gangsters but instead a younger group who are smarter and more powerful. This here was the fifteenth entry in the series and what exactly it was trying to do is beyond me. For starters, there aren't any laughs here but what's so strange is that it really doesn't seem like the film was going for any. There's not any of that usual slapstick, no real comic banter and the screenplay seems like all the comedy must have been edited out. The movie features Gorcey doing his usual bit of messed up dialogue but even it comes off rather flat and poorly written. The strangest thing about this movie is that it adds a voice-over narration by Gorcey, which was obviously used to try and make this a noir-like film. This really didn't work because, amongst many things, the dialogue was just poorly written and really didn't add up to much. It's too silly to be taken seriously but it's not funny enough to be a comedy. The only inspired bit comes when Louie (Bernard Gorcey) pretends to be a major gangster and gets to act tough and flirt with a hot dame. The rest of the film goes for a straight drama but for the life of me I wasn't sure what the point was. There's really nothing in the screenplay and this isn't helped by the flat direction. Yarbrough is best known for some Abbott and Costello film (HERE COME THE CO-EDS), some horror flicks (SHE WOLF OF London, THE BRUTE MAN) and some downright horrid stuff (HILLBILLYS IN A HAUNTED HOUSE). He appears to be asleep at the wheel as there's not an ounce of energy to be found here and it's probably one of the most lifeless entries so far. With that said, I wouldn't call this one of the worst. There aren't any laughs and there's really not anything good here but the picture is just so darn weird that you can't help but be mildly caught up in everything that's going on. This one here is certainly for fans only and it's doubtful many of them will enjoy what's happening.

(Some Spoilers) The movie starts with Slip & Sach beaten to a pulp and left unconscious in an alley by their fleeing, from the cops, attackers. Was this the result of a street mugging? A bar room brawl that spilled into the street? Or something else like a police undercover operation that went seriously wrong. It's then that we get the low down from Slip himself as he recounts the events, in his hospital bed, that lead to this calamity to both him and Sach who, with his famous nose badly bruised, still hasn't regained consciousness.It's when former Bowery Boy and now policeman Gabe Moreno was gunned down with his partner, who later passed away, Officer Murphy that Slip & Sach decided to track down their attackers by going undercover as big time hoodlums. Working for the Daily Chronicle as copy boys Slip & Sach took a leave of absences and infiltrated the notorious Chicago Loop Mob that was opening up business in the Big Apple. The Loop Mob headed by the sharp and collegiate looking Mr. Carver had committed a string of payroll robberies where both Officers Murphy & Moreno were their latest victims.Getting in good with the Caver Mob both Slip & Sach together with the Bowery Boys and sweet shop owner "Big Louie", all 4 foot ten inches of him, Dumbrowski are entrusted by Carver in his latest job in knocking off the Gotham Steel Works payroll. With Slip secretly forwarding this information to his boss Jim Cobb the editor of the Daily Chronicle, who in turn forwards it back to the NYPD, he doesn't realize that someone on the paper is working with Caver and his mob and relying that information back to him.Somewhat serious Bowery Boys film with more people getting gunned down in it then in most Humphrey Bogart and Edward G. Robinson gangster flicks. There's also the drop dead gorgeous and classy Jean Dean as mob boss Caver's moll Vickie Darwell who keeps the boys, Slip & Sach, minds off their job as undercover agents of the NYPD and Daily Chronicle every time she's on the screen with them.

I think it would have been fun if the Bowery Boys did more character parodies like the one presented here. Slip (Leo Gorcey) and Sach (Huntz Hall) take on the persona of big time gangsters to ingratiate themselves with a Chicago mob called The Loop. Then they get cornered into bringing along the rest of their gang, Whitey the Whip (Billy Benedict), Chuck the Chiller (David Gorcey), and Butch the Butcher (Benny Bartlett). I don't know about you, but the one I wanted to see most was Big Louie (Bernard Gorcey). Wasn't he just great? It didn't take much of a stretch for the Boys to get tangled up in any of their adventures, and that's the case here as well. The story starts out with Slip and Sach as copy boys at the New York Daily Chronicle, and from there they get drawn into a murder investigation of one of the local beat cops. Gabriel Dell makes an appearance as Officer Gabe Marino, who really doesn't have a large role in the story after he also takes a bullet (off screen) in the early going. Slip and Sach visit him at General Hospital, where you'll stare in disbelief as a nurse lights up a cigarette for Gabe while he's convalescing - in bed!!! Every once in a while you'll catch a scene in an era movie like this where a doctor might smoke while seeing a patient, but this was the best!As long as we're on the subject of smoking, I can't forget to mention Jean Dean in the smoking hot role of mob boss Carver's moll, Vickie Darwell. She comes on strong right from the get go, and plays Slip just a bit more risqué than I think he was used to. It would have been great to see this one in color and watch Slip turn red as a beet. Had she turned up the heat just a bit more, Slip probably would have needed a blood confusion.

"Angels in Disquise" is the most stylish, most Irish, and arguably the best of the Bowery Boys series. Eddie Ryan is great as an intellectual crime boss who believes the boys are tough gangsters. There are the usual number of amusing malapropisms from Slip, lots of zany moments from Sach, and the height-challenged Bernard Gorcey gets to play a gunman called "Big Louie Dumbrowsky".The best part of "Angels", however, is Jean Dean as bad girl Vicki Darwell. Dean was a Vargas model in the 1940's (for his redheads) and Esquire calendar girl who was as close to physical perfection as any woman before or since. The scene in which she makes her first appearance is magical; that moment transcends the whole series. It even appears that the actors recognize this as it is happening, and are genuinely blown away by this stunning beauty.