Anna Karamazoff
Anna Karamazoff
| 01 May 1991 (USA)
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This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.

Reviews
Wordiezett

So much average

ChanBot

i must have seen a different film!!

Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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andreygrachev

I am very impressed after seeing this authentic and historical movie. I was interested in the film particularly as some Moscow underground icons were acting in it. You can see Pyutor Mamonov (Zvuki Mu and real star of psychedelic new wave in Russia), Boris Raskolnikov (very good guitar player and the founder of underground club Tretiy Put) and Alexei Tegin (dark wave shaman) in episodes of this brilliant noir , psychedelic surrealism. I can assure you that this film is a monument of the early days of Russian psychedelic revolution back in 90s.It includes very special atmosphere, great suspense, hallucinative and provocative visionary, the mood of 20s silent films and a lot of old mansions in Moscow, filmed in really avangard way. www.myspace.com/neizvestnostlab

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