Great Film overall
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
View MoreThe movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
View MoreThere's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
View MoreArc is the story of an ex-cop turned drug addict who teams up with a prostitute named Maya Gibbs to find a missing child to somehow redeem himself. Paris Pritchert is the junkie and pusher who remains high constantly, while in pursuit of the vanished kid. The hooker quotes Maya Angelou because she is very well read, in spite of her chosen profession. The usual mix of street characters and a doctor who likes boys, plus the expected tough and smart cop who helps Paris out for old times sake.The cop and the hooker start out rocky, but over time develop a friendship, which is standard in these kind of dramas. The acting is o.k. and the script nothing special, with the streets of Los Angeles used as a realistic and gritty backdrop. Arc doesn't break any new ground; it is just another cop gone bad movie.
View MoreArc started very slowly, with the look of a pretty typical drug-life low budget indie movie. Something to watch with half an eye while going through the paperwork. Then it started to pull me in. Somewhere along the way I stopped working through the accounts and became glued to the screen. Sure it has a few clichéd set pieces and a few moments of wooden acting, but after the first 30 minutes or so it pans out to be a nicely put together movie. I'm giving it an 8 based on the way that it managed to involve me in the characters and the story. Don't expect any fabulous Hollywood sets, this obviously hasn't got a huge production budget, but the story arc is well done and satisfying. For some reason it reminded me a bit of Running Scared. Worth watching.
View MoreEx-cop, now drug dealer and addict tries to redeem himself by finding a missing kid with the aid of a hooker. Low budget film that strives to be more than a run of the mill story of a man reaching for redemption. Shot in a variety of different color schemes and styles the film makes the effort to be more than it well worn plot would lead you to believe it is. Peter Facinelli in the lead is merely adequate in a role that requires him to be stoned much of the time. I don't think the film really succeeds in what its trying to do, but I will give the filmmakers points for at last trying to spice things up. I think that one of the problems with the film is that its way too long at around two hours since its slender clichéd thread of a plot doesn't really have the strength to support the tale. I can't recommend it unless you're someone like me who is tired of seeing these ultra-low budget direct to video films that all look and sound the same.
View MoreForget whatever it is you know about Peter Facinelli from "Can't Hardly Wait" or the canceled series "Fastlane" -- neither of those projects even hinted at the depth he taps into here. Under the direction of Robert Ethan Gunnerson (this is one of the strongest debuts in recent memory), Facinelli is born again as an actor. Equally impressive is the debut of Raina-Simone Moore, who brings refreshing earthiness and wit to what could have been a stock character.There are a lot of preconceived notions about "drug dramas," but this film should be seen first and foremost as a human drama. Instead of going for the trippy style of "Requiem for a Dream" or the barebones realism of "Drugstore Cowboy" -- Gunnerson wisely doesn't aim for one extreme. He also makes striking use of selective coloring, with colored objects popping out of black-and-white frames. In the hands of a lesser director, this could be a distracting gimmick, but here it works beautifully, speaking volumes about each character.Funny how the film's budget was well under a million dollars, and yet it is has so much more heart and soul than the $150 million "Miami Vice." Seek it out, and you'll feel like you've made a great discovery. Days after seeing it, I can't shake it -- and I don't want to.
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