This Movie Can Only Be Described With One Word.

After playing with our expectations, this turns out to be a very different sort of film.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The 1948 war drama with Charles Boyer and Ingrid Bergman was a messy post- war romantic drama. Remaking it for T.V. with a not yet big star Anthony Hopkins and the beautiful but icy Leskey Anne Downe, a huge mistake. What could have been intriguing in either version shows this to really revolve around only a shell of a story and what's there isn't all that interesting. Hopkins is a victim of Nazi brutality, having been scarred by the evil Donald Pleasance years before for hiding Jews, and now in Paris, he is haunted by sightings of the evil Nazi and the sudden protector of the mysterious Downe whom he stops from killing herself. Their encounter is interrupted by nightmares of his past, as well as his involvement in a mysterious mission against the enemy. Essentially a snoozer, this has great location footage and an intriguing performance by Hopkins (who would ironically play Hitler), but not much else for me to pass the copy of the DVD I bought of this (cheap!) on to friends.

Remake from 1948 classic with the same title starred by Charles Boyer and Ingrid Bergman that resulted to be a big budget box office loser . It's a romantic drama set in WW2 with excellent actors as Anthony Hopkins , Leslie Anne Down and Donald Pleasence . The film tells about Dr. Ravic (Anthony Hopkins , role played in classic version by Charles Boyer), he's a German doctor exiled , living in Paris before the Nazis penetrate into the city . Under false name and with no papers , aware always that the Surete(French gendarmes) could be sent away or jailed . The doctor befriends a good friend (Frank Finlay in the character performed by Louis Calhern ) who is club-caretaker called Scherezade . One day he sees to Haake (Donald Pleasence similar role to Charles Laughton) a Gestapo official who tortured him and his anterior love and he's looking for revenge . One night in a bridge over river Sena , the refugee medic finds Jean Madou (Lesley Anne Down who sings a wonderful song , she plays the Ingrid Bergman's character), a beauty and mysterious gal and he rescues her from a suicide attempt. The WWII isn't the best environment for romanticism and a love affair but he falls is love with her.The film is a romantic melodrama about an unfortunate refugee who falls in love with a mysterious woman just before the Nazis enter Paris and played by over-the-top actors. However is slow moving with sluggish pace and little bit boring . The casting is frankly sensational as Anthony Hopkins as sad refugee and gorgeous Lesley Anne Down as unlucky damsel in disgrace are top-notch . The secondary cast is awesome, impressive Donald Pleasence as Nazi official, one of the his usual roles as villain and the lion's share of the acting meat deservedly goes to Frank Finlay as an exiled Russian colonel of the Czar who's a doorman in a show-coffee. Atmospheric cinematography though is necessary an urgent remastering and sensible musical score by George Deleure . The motion picture based on a novel by Erich Maria Remarque is professionally directed by Warris Hussein who directed various TV movies based on biographies ( Wives of Henry VIII, Princess Daisy , Edward and Mrs Simpson), a teenager drama (Melody) , terror (Posession of Joel Delaney) and many others. The picture will appeal to Anthony Hopkins enthusiast .

I have seen this movie some 21 yrs. ago, on a Russian channel, so of course in Russian, and it made an extremely powerful impression on me at that time; I would rather speak of the impression it produced back—then. I was a child, I knew none of the actors—I had a taste for such melodramas, I guess. I kept the image of a handsome, dependable, reliable man in the leading role; only in '94, I guess, I found out that the physician had been performed by Hopkins. When, at the age of 11 or 12, I have drawn a list of the movies I liked best, this one had its place.As idea, it's a distinguished melodrama.Today I have seen it for a second time; I like it, though it made a much poorer impression this time, it looked like slapdash, with both the lead roles very badly written, and also less romantic than I remembered; unglamorous and bad in a very TV way (the clumsiness of the camera, the lack of style, the primitivism ). Yet, I understand why I liked Hopkins so much in this role; and there is no other role of his that I like better than this one. His performance is very good, restrained but energetic and manly. And I liked the movie again. I may acknowledge its defects, and still recommend it.Even if only very concisely ,the Hopkins movie gives a high impression of the medical profession.The cast is sensational—Hopkins , his beautiful lover, and Pleasance –whom I was to remark several yrs. later, in a Dudikoff adventure flick, again as a Nazi character.I would like to see sometimes the other, first adaptation.

Let's face it: Anthony Hopkins is an excellent actor but he is absolutely no leading man, romantically speaking. He is called upon to do some romantic acting here and fails miserably.There should have been fear in the air as World War 11 approaches to 1939 France. Instead, we have an unbelievably dull film. Donald Pleasence shows up in time to be killed for torturing Hopkins and others in a concentration camp. There is no explanation whatsoever why Hopkins, a non-Jew in the film, was placed in the camp to begin with. When Hopkins kills Pleasence, he suddenly feels this is routine and gets no satisfaction for doing this. How about the misery that he and others endured?Down is good here, but the writing and background pulls this film down.