i know i wasted 90 mins of my life.

good back-story, and good acting

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

This is a cheesy as it get. Horrible acting. Bored extras. Low speed auto chases. Gunfights with hand grenades in a small apartment that doesn't damage the dry wall....that or the walls heal themselves.Set in Russia but filmed in Bulgaria or one of those other countries, Armstrong is a retired SEAL. Somehow he gets involved with unrepentant Commies who want to steal a nuke....or maybe not. It's hard to say. It is so bad you'll laugh so hard you'll forget the plot.Maybe because either the plot is so forgettable or it doesn't really have one. Please do yourself a favor, watch it.It isn't quite at good as the great Sam Elliott movie Frogs, but it is still breathtakingly horrible.

American soldiers Frank Zagarino and Charles Napier plan to thwart the mission of corrupt Russian Colonel and devious American Mafia leader to sell missiles to countries in demand, including a plot to bomb the Kremlin. Joe Lara is the sadistic Mafia thug who needs Napier's wife, Kimberley Kates, in order to find out what he was in Moscow for(..Napier is killed during a shootout as he and Zagarino find themselves in a battle with Lara and his men). Richard Lynch is the Russian Colonel who Zagarino was employed under before Napier gave him the goods on his involvement with the American Mafia, and the secret plans regarding the missiles.I must say that despite everything going against it(..the rather uninspired acting from a cast who seem to be going through the motions, the rather garbage plot, cheap sets(particularly Camp 14 where the crooked operations regarding the missiles take place), and rather sappy dialogue)that I found the action sequences rather thrilling. There's a really nifty chase where Lara and his goons pursue Kates(..who is wearing no bra or panties due to being interrupted by the Mafia shortly after a shower in her motel room)throughout the city of Bulgaria(..substituting Moscow)where she constantly eludes them, allowed to remain alive when often cornered due to the information that might benefit them regarding what she knows about her husband's business in Moscow. You can actually see how exhausted Kates is as she dodges gun fire, cars, and people while attempting to find some sort of escape route or hiding place. Lynch isn't menacing as much as he's nervous, bafoonish, sweaty, and drunk, while Lara goes so over-the-top in his portrayal as the Mafia scumbag that he's unintentionally hilarious. It seems Lara, however, revels in this role because of how despicable his character is..the idea that he is not only threatening the national security of his own country(..because frankly he could care less)but more than willing to watch innocent people perish all over the world due to terrorism from missiles he plans to sell. Napier again stars in a role that lasts only a short bit of screen time before he's off to collect a check. Kates is particularly yummy, in not a very noteworthy performance(..her physical work during the lengthly chase is to commended, though), and she has a full frontal nude scene that remains perhaps the film's most memorable highlight. Zagarino(..of the Project Shadowchaser films)is a low-rent, grade-Z, charisma-less hero phoning it in big time. Justin Carroll is Zagarino's Russian ally, the two joining forces to stop Lynch and Lara's scheming. Kates is often getting smacked around by Lara who needs information and doesn't appreciate it when she's not cooperative. I think director Menahem Golan effectively keeps the pace lively and stages some enthusiastic action sequences, but the plot, characters, and performances are lacking in quality.

OK so the Russians are developing secret nuclear missiles and are selling them to the American Mafia, who only want to buy them so they can use them to trick the Russians into blowing themselves up. The best scene must be when the main character, who looks like Lee from Steps, jumps out of a window (to avoid a grenade). He magically turns into Phil Collins in mid air, and lands (once again as Lee) on a Van conveniently placed below. He then gets up and runs back up to his apartment, while the baddies run down the stairs on the way out - How they failed to meet en route is a complete mystery, he must have used the lift and the baddies had read the script and knew they would have to use the stairs! Also the grenade has done so little damage to the apartment that he should have just stayed in there in the first place! Really good b-movie!

It should be pretty obvious from other reviews I've done that I enjoy the work of an actor named Richard Lynch. As such, I rented this horrible little film thinking I'd at least get to see one of my favorite actors in yet another role. Oh the things a fan will do!This movie had a few decent actors in it, the aforementioned Lynch, Joe Lara and Charles Napier, but the rest must have been dragged off the street with promises of fame and glory. It's obvious to even the most obtuse person that this film was so bad it should have been buried in a sealed vault, never to be viewed by upright walking homosapiens.The premise is interesting enough -- American hero Rod Armstrong, (Frank Zagarino-in the worst performance in this movie) goes to Russia to freelance his security skills in this `no-nukes' era. A close friend of his (Napier) comes to Russia to warn him that some slimy Soviets are not obeying the order to disarm the nukes. He's killed of course by an American mafia type (Joe Lara) and Armstrong becomes the next target.The movie plods painfully along until the predictable end -- all the bad guys being killed in B movie fashion. This movie would have been better as a one hour episode of a show like `24' or the like. At least we wouldn't have had to suffer through the whole 90 minutes!The only scene worth mentioning is a rather funny scene in a whorehouse where Lynch's character drunkenly cavorts with several prostitutes. The rest should have ended up on the cutting room floor!