Bachelor Apartment
Bachelor Apartment
NR | 15 April 1931 (USA)
Watch Free for 30 Days

Stream thousands of hit movies and TV shows

Start 30-day Free Trial
Bachelor Apartment Trailers

A New York playboy, Wayne Carter, dates wild women until he falls for a hard-working stenographer, Helene Andrews.

Reviews
Exoticalot

People are voting emotionally.

Brightlyme

i know i wasted 90 mins of my life.

ThedevilChoose

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

View More
Fairaher

The film makes a home in your brain and the only cure is to see it again.

View More
MartinHafer

Back before the newer, tougher Production Code was enacted in July, 1934, films were often quite bawdy--far bawdier than most folks today would expect. While nudity was rare (but NOT unheard of), topics like homosexuality, promiscuity, infidelity and even abortion were talked about in Hollywood films. While not among the more risqué films of the day, "Bachelor Apartment" is very Pre-Code in its sensibilities!Wayne Carter (Lowell Sherman--who also directed this film) is an unabashed womanizer and playboy. He uses a wide variety of pickup lines and routines to get women to sleep with him and in this Pre- Code world, the women are more than eager to oblige. However, when he meets a nice lady, Helene (Irene Dunne), he has second thoughts about his life. While he loves the hot sex, he starts to realize that he's missing out on something. So, to be near Helene, he hires her to be his secretary and through most of the film admires her without telling her he loves her. Does this dirty old man have a prayer with Helene? And, is he capable of changing to get her?I liked this film. Sherman was a terrific actor and if he hadn't died so young, he'd probably be remembered today--both for his stage and screen work. It talks about the old double-standard and exposes both the positive side (it can be fun) and negative (ultimately, it's rather lonely) without being preachy or heavy-handed. Well worth seeing.

View More
lnoft97

I just love the LOOK of the movies of the 30's, that is, the movies celebrating the lifestyles of the giddy rich. The clothes, the decor, the cars, the swank living quarters. The plot has already been discussed here, I came to comment about Mae Murray (age 42?? she looks adorable!). I am reminded of the back story of the comic strip that has been around forever - "Blondie" - who was a flapper who married Dagwood way back in the 20's, thereby prompting his wealthy family to cut him off and condemn him to working for a living unto this day. Mae Murray looks exactly like "Blondie" might have looked, in her wild youth, before she became domesticated ! A creaky movie, but worth a look. The 'playboy' is rather silly, it's the women and the look of the film I enjoy.

View More
chuck-reilly

Ground-breaking director/actor Lowell Sherman was the main creative force behind 1931's "Bachelor Apartment," but the real star of the film is the up-and-coming Irene Dunne. This was one of her earliest roles in Hollywood and it's readily apparent watching her here that she was destined for greatness. Her easy-going charm and light comedic touch are evident throughout and although the film is quite dated, her performance holds up very well. As a matter of fact, Sherman's bachelor role (Wayne Carter) is perfectly suited for his acting talents and he's certainly Ms. Dunne's equal. The plot is somewhat "racy" for the times; a rotating bevy of available women stroll in an out of Sherman's apartment to his utter bemusement. He's too busy sipping cocktails and counting his assets to take any of them seriously---until a Miss Andrews (Dunne) arrives on the scene. The chemistry between the two is unmistakable and their repartee is well-written and delivered with just the right amount of understated sexual tension. It's the kind of dialogue one doesn't get to hear very often in the usual 1930's movie. Sherman, unfortunately, didn't live long enough to become a household name. He died in 1934 at the age of 49. His last directing assignment was for the Technicolor "Becky Sharp", but he was gone before major production got underway. Irene Dunne, of course, became one of Hollywood's greatest actresses and outlived nearly all of her contemporaries. For fans of the films of the 1930's, "Bachelor Apartment" is worth the viewing time if it ever pops up on TCM or if one wants to rediscover Lowell Sherman. He was a great talent who never really got his due. Like so many from the early bygone days of movie-making, he's largely forgotten now. It's not fair, but that's Hollywood.

View More
drednm

Lowell Sherman was a star and director of silent films and talkies until his death in 1934. His best-remembered films are probably Way Down East (1920) and What Price Hollywood? (1932). In Bachelor Apartment he stars as a rich New York playboy who seems to have an endless parade of women going through his apartment. At one point he tells is butler (Charles Coleman) that he is "going hunting" and returns with a silly woman (Noel Francis) with whom he dallies until prim Irene Dunne comes hunting for her sister. Funny and risqué, this film deals rather openly about sexuality, teasing, infidelity, and "getting what you want." Sherman and Dunne are terrific as the sparring boss and steno, but Mae Murray bizarrely steals the several scenes she is in. Murray, a silent-film queen of the teens and 20s, made only 3 talkies. At age 40, she's still trying to be the sex goddess and comes off as being unlikely and unlikable. Murray affects a baby lisp and vamps and saunters about. She looks pretty good but she seems very otherworldly.Claudia Dell is annoying as the dumb sister, Ivan Lebedeff plays a dancer, Norman Kerry (also a silent star) plays a producer, Bess Flowers is the woman who lost her necklace, Lee Phelps is the cop, and Arline Judge is one of the secretaries.Dunne was always good, and Sherman has a terrific comic roue act that always borders on being quite gay. But watch him closely in this film (which he also directed) and study his comic timing and the pacing of his comebacks. The dialog is snappy and suggestive. Coleman and Francis are also very good indeed.Lowell Sherman, who also directed Katharine Hepburn in Morning Glory) is long forgotten but certainly deserves to be remembered as a wonderful actor and fine director.

View More