if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Bob Malone (Rooker) is an L.A. ex-cop who is having a very bad day. First his daughter mouths off to him, then some guy blocks in his car, and after that he gets into a battle with his local ATM. His Loan Officer (that's his name, evidently) (Willard) won't even give him any more time. To make matters worse, two Japanese gangsters named Koji and Hideo (Ishibashi and Takasugi, respectively) show up in town brandishing a mysterious suitcase. It seems they're in the midst of a gang war with the Italian mafia, and thanks to the inadvertent intervention of a psychotic man named...well, Psycho (Goldthwait), the unlikely pair of Bob and Koji end up teaming up in the name of some sort of justice. But will Bob repair his relationship with his sassy daughter? And is there corruption that goes all the way to the top? The only way to find out is for Bob and Koji to get BACK TO BACK results! Possibly one of the earliest of what we call "Tarantino Slogs", that's somewhat of a misnomer here as Back to Back may be quite Tarantino-esque with the constant jawing of its characters in a crime comedy/drama scenario, but there's nothing sloggy about it. One of the best aspects of the movie is its brisk and peppy pace, and the whole thing is quite freewheeling. And because it was the 90's, back when movies were well-lit, you can actually see what's going on. On the one hand, you have violent action scenes with plenty of gun-shooting and such. On the other hand, you have comedians such as Bobcat Goldthwait, Fred Willard, and Jake Johannsen making appearances, and the mix of the two is uneasy, let's say. The two worlds collide in scenes where Bobcat is shooting cops with a machine gun. You won't see that anywhere else, that's for sure. Whether that's a good thing or not is ultimately up to you. Interestingly, this was touted as a sequel or semi-sequel to American Yakuza (1993), and indeed it is known as American Yakuza 2 in many territories around the world. Apparently calling it that didn't have much cache in the U.S., where it garnered the rather lackluster title it has here. As far as we can tell, the only cast or crew member that made it over from American Yakuza 1 was actor Ryo Ishibashi, though he plays a different character in this one. His star power overseas must be big, as that's a pretty tenuous thread to tie the two movies together. He has been in some things that have gotten some play over here, such as Miike's Audition (1999) and Beat Takeshi's Brother (2000), but he's just one of many cast members on show here, competing for screen time with the likes of Fred Willard, Vincent Schiavelli, Tim Thomerson, Stephen Furst, and others. Fan favorite Michael Rooker gets not only a rare starring role, but an equally rare chance to show off his comedic chops. He also does action scenes well, so a lot was demanded of him here. His daughter, played by Danielle Harris, is almost the same character she played in the great The Last Boy Scout (1991). While that also was an action movie with humor, it had the power of Shane Black behind it. Back to Back, while entertaining, doesn't have the depth, power, or quality writing of Boy Scout. But certainly fans of it would probably enjoy Back to Back as well, as they are cut from the same cloth. So, if you like spotting B-movie stars as they come and go in small roles, and you like your action with a heapin' helping of laffs, by all means check out Back to Back. If you keep your expectations low - and don't mind the whole Tarantino-esque thing - you will find some enjoyment here.

That terrific character actor Michael Rooker stars in the poorly titled BACK TO BACK, about a perpetually angry ex-cop caught up in a feud between the Japanese and American mobs. Against his better judgment, he teams up with a Yakuza killer (Ryo Ishibashi) to take down a capo who owes money to the Yakuza. The ex-cop's teen daughter (Danielle Harris of HALLOWEEN sequels fame) is along for the ride, and some of the best parts of the movie are the constant bickering between dad and daughter. Shot locally in L.A. and filled with Hollywood types in unnecessary cameos (Tim Thomerson, Bobcat Goldthwait, Fred Willard), the film leans heavily on Rooker, and he comes through as a divorced, aging dad with extreme anger management issues. Whatever the movie may lack otherwise, like a budget and a script, is at least partially made up for in the frequent, John Woo-style shootouts and fistfights, all of which are gorgeously bloody and well-staged. Good for insomniacs, like me. All others, approach with caution.

Actually better that American Yakuza, even if it feature a strip club with no stripping. Sheesh! Michael Rooker is an ex-cop trying to take care of his daughter Chelsea, played by Danielle Harris (Don't Tell Mom the Babysitter's Dead, "That's Life", "The Wild Thornberrys", Halloween 4 & 5). He joins up with Ryo Ishibashi to take out a mobster to protect her.Lots of shooting and the opening with Bob Goldthwait was a real riot. He really blows!Also features the late Vincent Schiavelli.One of many Pulp Fiction knockoffs, but it really is funny.

Everything about this movie is fine, and of course the bullets flying scenes are great. But since the title is American Yakuza 2, it seems to neglect the "Yakuza" part, especially the guy in black should have deserved more action. The prowess of the Yakuzas was portrayed in scenes like the man in white chop off the hand and escape the police station. And this movie showed the fact that some corrupt cops are in cahoots with the MOB.Furthermore without more action from the yakuzas, this movie just seems like another 2 super fit gunmen blasted bullets through a mob of people.