I really don't get the hype.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This film is so real. It treats its characters with so much care and sensitivity.

With all the draws in the film - Lee Van Cleef, James Mason, Gina Lollabrigida - you would think there would be some redeeming quality to all the flowing marinara in this one. But sadly that's not the case. I had a bit of a struggle to make sense of the action, and about as difficult a time in keeping the minor characters straight. The best lines of the film have to do with my summary above, and another by Van Cleef describing his fascination with the banking business - he enjoyed transferring funds from one place to another. Sadly, that wasn't enough to carry the picture. I enjoy my share of spaghetti like the next Western fan, but this one was weak and and shy on the Parmesan. Recommended only for the die hard.

The film deals with the bandit Roy King (Lee Van Cleef) and his band (Gianni Garco, Simon Andreu, Jess Hahn) that are robbing trains and banks along Mexican border . King is deceived by his recent wife (Gina Lollobrigida) and a Mexican revolutionary (Daniel Martin) and offer to collaborate in an attempt to blow up an arsenal for a reward about one million dollars , but he will be double-crossed . The gang will confront the Mexican army commanded by a nasty Mexican general (Eduardo Fajardo) and his underling (Aldo Sambrell) and are besieged in a fort governed by a nutty revolutionary colonel (Sergio Fantoni).This is an average Western with humor and action . The film is plenty of gunplay , thrills , irony , shoot'em up , comedy with tongue-in-cheek and results to be quite entertaining . The movie gets comic remarks of the spoof Western genre originated on the late decade of the 60s by directors Burt Kennedy and Andrew McLagen and stretch out to Italian Western with the Trinity series (Terence Hill and Spencer). Lee Van Cleef as an outlaw chief is humorous though very old , Gina Lollobrigida is attractive and James Mason finds himself miscast . They are like a hawk , a dove and a vulture ; all circling for the biggest haul in the West . Besides , there appears the usual secondaries , familiar faces as Gianni Garko (Sartana), Eduardo Fajardo (villain in hundred Westerns as Djanjo), Aldo Sambrell (secondary in Leone Westerns), Daniel Martin (For a fistful of dollars) , Ricardo Palacios, Barta Barry , Dan Van Husen and many others . The picture was shot in Almeria (Spain) where during the 60s and 70s were filmed innumerable Spaghetti Western . The motion picture was regularly directed by Eugenio Martin who made among others , terror films (Horror express) and more Spaghetti (The bounty Killer , Requiem for a gringo and Pancho Villa) . Rating : Mediocre but amusing .

This eccentric Euro-Western has more in common with the revisionist, light-hearted approach of BUTCH CASSIDY AND THE SUNDANCE KID (1969) than with any of the sadistic Italian fare shot around the same time and on the same locations. A great, eclectic cast (Lee Van Cleef, James Mason, Gina Lollobrigida, Sergio Fantoni, Jess Hahn, Simon Andreu, Eduardo Fajardo, Gianni Garko, Diana Lorys) finds itself somewhat stranded - and in the case of Mason, evidently embarrassed - in the face of the film's bizarre changes of mood, some of which work (there are a few enjoyably comical action sequences) and some of which don't (why the director chose to overdose on the "freeze-frame" stuff at the beginning is anyone's guess); in light of all this, the involvement of talented Hollywood veterans Philip Yordan, Irving Lerner and Bernard Gordon is even more baffling. All in all, however, BAD MAN'S RIVER emerges as a surprisingly pleasant, if ultimately forgettable, diversion.

Heaven knows how a talent like Philip Yordan came to such a sorry pass as writing this mess. Heaven knows how badly James Mason must have needed money for him to take part. Lee Van Cleef, one of my great movie heroes, made some really awful films here and there, but this one takes the cake. The pop-rock/barbershop-quartet score, completely inappropriate to the time and place, is the first clue that the viewer is in for a melange of malarkey. Everyone is dubbed, of course--it's a spaghetti Western. But at least Van Cleef and Mason dub themselves. However, Mason, who despite being second-billed doesn't show up until 2/3 of the way through, makes the most embarrassing attempt at a southern American accent I can recall ever hearing. Gina Lollobrigida exposes her talent in her special way, and the rest of the parts are played in the broadest fashion by a cast of overacting hambones. The plot is virtually unintelligible, though it does involve a river for a moment or two (the good guys hope their engine-less riverboat can drift from Matamoros to Laredo before the bad guys catch up to them--despite the fact that Laredo is UPSTREAM from Matamoros.) It's obvious that much of what goes on here is intended as comedy, except, one presumes, for scenes of people being shot and burned to death. Let's just say that none of the stars ever made a worse movie and then just pretend this farago never happened.