If you don't like this, we can't be friends.

This story has more twists and turns than a second-rate soap opera.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

This is a thoughtful, beautifully made film about very poor people, a film about the growth of spirituality within a young man who falls in love without saying a word to the beloved; it is a magical film made mainly on a second-rate construction site, a fascinating look into folks to whom the cheap thrills of most American films would be completely irrelevant. Do we need to care about this people? Can we even identify with them?Box office winners in America are generally about childhood superheros dressed up in expensive duds or weave dark make-believe tales about vampires or medieval revenge. They are aimed primarily at 14 year old boys, but many adults flock to them for entertainment. And they are entertaining, just as most fast food is filling, but often not very nutritious. The fact that Baran couldn't even crack 1/90th of the box office take of either of those films says something infinitely sad about audiences not willing to stretch their consciousness, experience an alternate reality, or understand some of the people our soldiers in the Middle East might be meeting on a daily basis. Baran is an open window into another culture and leaves behind something other than a ticket torn in half.

It is not bulky classic novels but little short stories of literature which remains in your memory long-lasting once you finished it. Majidi's films are like simple beautiful piece of art, it's same as reading Oscar Wilde or O Henry's classic short stories. He knows very well where to mark underline & where to put ellipsis in a film. Set in Iran, it tells the story of an afghani refugee working father whose leg injury threatens his family's future. A child of his starts working on behalf of his father at construction site. A young co-worker named Lateef's burning hate towards child transformed by a surprising discovery that a child is a young woman in disguise. For the first time in his life, he's in love. He keeps the secret to his heart & helps her with utter unconditional devotion that will change the whole dynamics of his life. Well it's more difficult to make a simple artistic film than making a complex piece of art & its Simplicity & portrayal of natural emotions in his films which is striking the right chords. Silence of the girl is the most felt part of the film. And what a poetic end- the last foot print impression of the girl in his life, that even rain can't wash it away.A beautiful piece of art.Do I have to say Must Watch? Ratings-9.5/10

This romance tale, shot in contemporary Teheran, is a simple one of a young Afghani, Latif, illegally working as a bread and pasta deliveryman and tea boy for construction workers on a site in a Tehran outer suburb. The workers are mostly illegal Afghani immigrants like himself. The government inspectors frequently raid the site and the Afghani workers scamper safely away in time, each time. This suggests that the rather seedy Iranian supervisor or boss man bribes the inspectors (though there is no actual shot of him doing so).The supervisor is almost always short of cash to pay the workers (Latif is owed one year's salary but is given bits of cash by the boss if he demands it). The civil engineer is not pleased with the shoddy work done and refuses to pay him until he fixes the problems.Nevertheless, it is revealed later that the supervisor has a heart of sorts. In the meantime the hero Latif, a romantic if quarrelsome lad lose his soft tea boy and deliveryman job in favour of a young and physically weak stand-in Afghani worker who has arrived to cover for a close relative who has a had a bad accident on the site and is disabled for several months. The weak stand-in cannot manage the heavy work so is given Latif's job and the hero has to take on the hard jobs which causes some resentment. The rest of the film is taken up with Latif falling in love with a beautiful but shy young Afghani girl (I'm not telling how this happens nor the secret which is revealed during the process). The photography is brilliant, and we get some fleeting glimpses of the better-off areas of Tehran but most of the time we see the sordid living and working conditions of immigrants at the bottom of the pile, although one country village has a certain unusual charm.. Indeed, some of the scenes, shot exclusively in late autumn or winter are almost lyrical.

If I could give 100 points for this movie, I would, but I will just have to give it a perfect 10.As they say, "Actions speak louder than words" and this is how I would describe this movie.Seeing this movie makes one take account of his/her life. There is so much that us take for granted in our daily lives that by seeing this movie we can start appreciate what we have.Latif gave everything in the name of kindness and love for his neighbor. He even risked his life in order to show his inner kindness towards others. Meeting Baran taught him a lot about how to show love and gentleness for others.