It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Don't let the trailer mislead you. It's has nothing to do with the movie besides the clips. It's NOT Blacksploitation (and the immorals behind the trailer needed to be meleed for using racism as a vehicle to promote the film). What it is, is a gritty, South African crime noir tale complete with flawed heroes, formidable foes and well done brutal action sequences. My only gripe is the sound editing, where in one particular scene the dialogue was barely audible but I switched on the subs and kept on rocking. It in no way makes the film unwatchable, but still, you got to get that isht right! Fast paced, good plot, awesome action, no sex, just a great Friday and friends movie that I enjoyed watching and will view again soon.

DEATH OF A SNOWMAN is a slow and rather unengaging blaxploitation thriller made in South Africa, of all places. Imported British actor Nigel Davenport teams up with a black cop to bring down a gang of drug smugglers, and events play out much as you'd imagine. Sadly, this is a film that suffers from a cheapness of film stock and a paucity of imagination on the part of writer and director, which means that the action is slow-paced and unremarkable and the plot nothing more than hackneyed. Davenport does his best but is on autopilot throughout, and while the local actors try hard, they're not going to win an Oscar anytime soon.

Shrewd and ambitious reporter Steve Chaka (an excellent performance by Ken Gampu) and his tough cop best friend Lieutenant Ben Deel (a fine portrayal by Nigel Davenport) join forces to investigate a violent series of apparent vigilante killings of master criminals in Johannesburg, South Africa. Director Christopher Rowley, working from an absorbing script by Bima Stagg, relates the involving story at a swift pace, maintains an appropriately gritty and serious tone throughout (this is the type of hard-hitting film in which a few undeserving innocent people meet abrupt brutal deaths), and stages the rousing action set pieces with real flair and skill (a spirited car chase rates as a definite stirring highlight). The loose, natural, and engaging chemistry between Gampu and Davenport really holds the picture together; they play off each other very well and sell the friendship between their characters with complete conviction. Moreover, there are sound supporting contributions from Peter Dyneley as a hard-nosed police captain, Madala Mphahlete as crafty top hood Luther "Snowman" Daniels, and, most impressive of all, screenwriter Stagg as laid-back, but lethal hit-man Johnson. The jolting moments of sudden explosive violence pack a pretty harsh punch. Fred Tammes' lively cinematography makes galvanizing use of a constantly moving camera and snazzy slow motion. The funky-digging score hits the get-down groovy spot. A worthwhile and unjustly neglected little sleeper.

I know exploitation cinema isn't exclusive to America, many countries around the world have made and continue to make exploitation, but I have to say that I'm rather surprised to see a Blaxploitation film hailing from South Africa. I suppose when you think about it though, considering all of the political and racial strife South Africa has seen, Blaxploitation cinema definitely makes sense. Naturally this isn't the first time this particular film has seen release here in the states, a company called EastWest (likely a bootleg outfit) is still currently selling the "Soul Patrol" version of Death of a Snowman which runs one minute shorter than Synapse's. I know BCI also owned the rights to this a few years back though I can't seem to find any indication that it was indeed actually released.Anyhow, the film itself was quite entertaining; there were a few sequences that seemed to drag along here and there but actors Davenport (lovin' his Sean Connery beard!) and Gampu were likable characters with a laid back, believable relationship. Seeing Gampu portray a respectable Blaxploitation hero with a strong moral compass was also a refreshing change-up from the usual pimps, pushers, hustlers, gangsters and vigilantes that typified the sub-genre.Basically the action was right on point, violence over-the-top and the score was wonderful as it was filled with dark grooves and fast-paced action funk so, for me, everything about Death of a Snowman just felt right. As I said, there were a few lulls but this is exploitation…not Fellini. If there weren't some dull moments and missed opportunities for nudity, I'm not sure I would have enjoyed this so thoroughly. Yeah right!