Please don't spend money on this.

Great Film overall

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The film makes a home in your brain and the only cure is to see it again.

My review does contain a spoiler.If a man broke out of prison by striking a guard and risking the lives of others, wouldn't he be tried for that infraction when caught even if he was found to be innocent of the original crime? I think a better and more credible scenario would be for the main character to be inadvertently set free by some accidents in the prison such as a fire or storm or a train wreck during as prison transfer...A number of prisoners broke free in the accident so the police would be looking for quite a few escapees and not just one man, making it a bit easier for Ingram to get through. Also, later on he would not be in trouble for planning and initiating the escape and attacking a guard.

All chain gang movies take us on a journey. We start with a nice guy, usually innocent, being brutalized on a chain gang until he becomes a seething mass of controlled rage out for vengeance. This movie is no exception.Edward G Robinson has been victimized before so his situation here is no real surprise. The surprise is the object of his rage. A total psychopath named Ramey, played by non other than Gene Lockhart of all people. The casting director in this movie was a genius. Who would have ever thought of this perennial nice guy as a villain. Crybaby Bobs Watson does his bit as EGR's kid Hank. Big Boy Williams is his loyal affable self. It is no wonder he stayed busy for decades. Only Ruth Hussy drops the ball in this one. She just doesn't seem gritty enough for this kind of melodrama.It may sound crazy, but there is something comforting about the savage routine of a chain gang when compared to the terror of escaping and becoming a fugitive. You would think that every police force in the country has nothing to do but search for this guy.I won't get into the ending - it's a little hard to swallow, but I think it's worth waiting for. Just remember, this takes place long before the Miranda decision. This is a little programmer that gets lost between "I Was a Fugitive From a Chaingang" and "Cool Hand Luke", but as chain gang movies go, this is a winner.

Poor title for what is a movie patterned on "I Was A Fugitive From A Chain Gang." It would appear that some of the shots were either taken from that masterpiece or re-done virtually identically with new cast. Edward G. Robinson is presented in the Paul Muni role but this time the hero has been willfully framed -- not wrongfully convicted. This framing is necessary for the rest of the story line and the plot unfolds as believable. Gene Lockhart steals the show in his portrayal of the villain. Robinson never looks as gaunt as Muni and is less convincing as someone who has suffered on the chain gang. Watching Robinson's rotund body run through the swamps just doesn't hack it. If given a choice, see the Muni movie but this one will serve for those who prefer a different ending. A better title might have been "Vengeance."

This film starts with a bang - literally. It also ends with a bang. You see Edward G is an oil-fire fighter in Oklahoma - and he's doing really well. Great job (if a little dangerous), great house, great wife, great kid. Trouble is he is actually a fugitive from a chain gang - and his past is about to catch up with him. A shame it does really because the scenes of Eddy walking fearlessly into fire-balls are unforgettable. A story about the lives of oil-fire-fighters would have been a lot more interesting than the rather dull blackmail leading to a return to chain gang stuff. The chain gang scenes never live up to those of the masterpiece "I am a Fugitive from a Chain Gang" - but I wouldn't be surprised if Hitler got a few ideas on his slave labor camps from this film. Were the chain gangs of the thirties really this brutal? If so there were a few "war criminals" in the Southern USA.Anyway the film drifts back to oil fires at the end - and the climax is really spectacular. It is enhanced by Ed's magnificent performance, and an unforgettable snivelling evil performance from Gene Lockhart. Both rise above the ordinary material. Also impressive is Guinn Williams, but the very talented Ruth Hussey is given little to do but look worried, and Bobs Watson is VILE as the cry-baby son. All in all good MGM entertainment, with some great sequences.