Blank City
Blank City
| 06 April 2011 (USA)
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In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Reviews
GazerRise

Fantastic!

BroadcastChic

Excellent, a Must See

HottWwjdIam

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

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Haven Kaycee

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

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ebbx

I really liked how this movie reminds us of a time when New York was more dangerous and dirty. If you really like Sonic Youth and other angular music, then you should see this as a refresher course. The film also touches upon how AIDS claimed the lives of some of the people mentioned. I would recommend another film about the Grammercy Park Hotel, which also touches on this period before Reagan. Maybe something had to do with Andy Warhol being alive at the time? This was also an era when there was at least some artistic creativity which didn't pander to mainstream America. Yes, it's true that Richard Kern took erotic photos of young girls, but they have an edgy artistic quality which today still seem a little dangerous. It's hard to believe the girls now are in their late 40's early 50's(or maybe AIDS victims).

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nomoons11

As far as the quality of this film, it's very well made. Great interviews with a myriad of directors and actors make for an interesting watch on a lazy weekend day. As far as the content though...meh If your not familiar with this genre of film-making, it won't take you long to figure out these filmmakers were the equivalent of the music Punk Rock pioneers of the day...although...not near as relevant or successful.The main goal of this documentary is show fans how/when/where this style/genre of film making started. You get to find out why these individuals started making films the way they did. They were odd, gory, abstract and stuff you wouldn't normally watch...but hey, it was the 70's and we know what a bizzaro decade that was. So this was the excuse to shock and awe the audience by putting these pointless exercises on celluloid.The main interest for me was the interviews with Jim Jarmusch and Steve Buscemi. Yeah it's the Steve Buschemi we all know and love. He was in one of the early one of these films...it was where he started his acting career. Out of the whole assortment of Directors they talk to and mention Jim Jarmusch is the only one, to this day, who gets mentioned in film circles as a really good film maker. Why? simple...because even though his films are still kind of odd, they are watchable. They have a goal at the end of each one. They're not meandering collages of part shock and art film with no point. They aren't just moving images...they're actual stories.It was funny to sit and listen to some of these directors sit and talk about how great their stuff was and I can guarantee that 99% of the film viewing world hasn't even heard of these people. This is one of these cases where it's in New York so it's important and has meaning and it sets a trend. Well, problem is...it didn't. These were just poor broke people who ran around with 8mm cameras trying to fit into a scene in NY at the time and now they can sit back and talk about their triumph...or their perceived triumph.

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gabriela-48

I saw this movie in NYC at the IFC. I loved its approach, the way NYC is depicts, it is a raw and truthful documentary. I would advise any NYC lover to go see it. It helps you understand the city and its artistic influence better. It makes you really realize the energy that is lying and present in NYC. At the end of the documentary you manage to get introduced to an artistic movement but it also inspires you. You realize that you can make it, as long as you have passion a hint of madness and you are willing to work hard. I was also so impressed by the team behind the movie and i really hope to see them more on screen. To sum up, i love this documentary because i was introduce and i understood a new subject that i knew nothing about and it inspired me, it lift my spirit up.

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kosmasp

Actually it seems, that you don't have to, but I think you should. Again this is a documentary that has a specific target audience and most people who are not into independent movies (or the wave of them coming out of America a few decades ago) won't like it. As you can see in some of the other comments on this title.I respect their comments and their views. I still have to disagree with one of them, which goes a bit too far and does imply something, that the movie does not do or try to do. This movie is not glorifying the filmmakers from that time. Quite the contrary, sometimes they are shown as complete lunatics. But that is the appeal of the movie. It does show you people as they are, without judging them. The judging comes from within the viewer.And while I have to admit not being a big fan (and also not knowing many) of the movies, I really did enjoy the movie. I liked the way it was shot and I liked the interviews. The pacing was great and the shots were interesting. And that was all before the lovely director came on stage and talked a bit about the movie. Unfortunately I had to leave and didn't have a chance to talk to her. But I hope to see more of the team behind this (her "partners in crime" were there too).

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