Although it has its amusing moments, in eneral the plot does not convince.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

It's nice to see Jean Harlow in a major role after her breakout performances in 1932, but this film is saddled with a weak script, and filled with noisy and annoying performances. Harlow plays a Hollywood starlet and is awfully shrill in the first half of the film, but the biggest problem is Lee Tracy, who plays a slick studio publicity agent. His actions in keeping Harlow in line, his voice, and his smugness all made me want to reach back in time 83 years and punch him in the face, and yet he is positioned as the 'good guy'. Ugh! The attempts at comedy are dated, but Tracy manipulating it so Harlow can't adopt a child because he believes she couldn't do that and have a career is just sickening, not clever.There are some in-jokes in the film, the best of which is 'Harlow playing Harlow' and the barrel scene from 'Red Dust'. It's nice to see Frank Morgan, better known as being the Wizard of Oz, and it's always nice to see Harlow, and here she tells off the leeches in her life in a nice scene, coos over a baby, and later rides a horse. However, it's pretty bad when your favorite part of the movie is the three sheepdogs! This one is overrated and disappointing.

Fun Jean Harlow movie here as she plays a starlet pretty much created by the media via sensational headlines and her trying to get away from all of it (gee, how times change). The movie has that 1930's crackle where everyone is super hyper talking all at once, and you're struggling to catch up with all of it. Even though Harlow is the title Bombshell, I was really impressed with Lee Tracy as her publicist who seems to know Harlow more than she knows herself. It sort of does get monotonous towards the end, and the twist just doesn't really resolve anything, as a matter of fact, we're right back where we started. But it's still a fun sit through.

Jean Harlow is the "Bombshell" of the 1933 film also starring Franchot Tone, Frank Morgan, Lee Tracy, Pat O'Brien, Una Merkel, Isabel Jewell, Louise Beavers, Ted Healy, and C. Aubrey Smith. Harlow plays a star, Lola Burns, who has a career very similar to Jean Harlow's - in fact, she starred in "Red Dust" with Clark Gable! She's the "It" girl where Harlow was the "If" girl. From the first time we meet Lola, it's obvious that she is overwhelmed by the pressures of her home life, which in turn puts pressure on her career duties. Her drunken father (Morgan) acts as her business manager but her bills aren't paid and she doesn't have any money; she constantly has to bail her brother out of trouble; there's a newspaper man who prints one lie after another about her; one of the people in her household wears her clothes and steals from her; she has three huge dogs; her brother shows up with a tramp; the assistant director on "Red Dust," Jim Brogan (Pat O'Brien) is in love with her and goes crazy when he sees Hugo, the Marqis de Pisa de Pisa on the set (and it's in his storyline that strong prejudice against immigrants is shown); and her agent (Lee Tracy) is a puppeteer in a sick puppet show - Lola's life.Lola wants out. She decides that she wants to adopt a child and falls in love with a baby at an orphanage but the home visit is a total disaster. Disgusted with her life and all the leaches around her, she takes off, seeking peace and quiet. It's in peaceful surroundings that she meets the wealthy Gifford Middleton. It's love at first sight. Just when she's meeting Gifford's parents, her father and brother appear.This is a very funny comedy and also very touching, as Lola's sweet personality and desire for a stable family is evident. She swears to Gifford that she's through with show business but becomes concerned when told there hasn't been anything about her in the papers lately. She's young and has no idea what she really wants. Her agent plays off of this and uses it to his own advantage. To most people, she's a blond gravy train.All of the actors are terrific. Franchot Tone is hilarious, totally and deliberately WAY over the top saying lines such as the one in the summary box. Harlow is surrounded with the best character actors - Lee Tracy, who despite a scandal in 1934 managed to enjoy a nearly 40-year career is great as Lola's fast-talking scam artist agent; Frank Morgan plays his usual role of a weak man, but not a bad one; Louise Beavers brings spark to the role of a maid; Pat O'Brien is in top form as the volatile Brogan.But it's Harlow's film, and she keeps up with the frantic pace of the film beautifully. Funny and vulnerable, she's hilarious when she pretends she's upper class, as she's often done in her films - no one has ever pulled that off quite like she has. Certainly one of the most lovable and charismatic actresses ever on screen. It's unbelievable that she didn't have a chance to live a full life. "Bombshell" is one of her best films among a lot of wonderful ones.

The Blonde Bombshell, movie star played by Harlow becomes frustrated at some of the stunts pulled by her publicity man (Lee Tracy), who is trying to keep her name in the news, and to keep her single. This movie is the best example of why Jean Harlow was a mega star. The lady could act, holding her own with some of the best scene stealers in 1930's Hollywood, most notably, in this movie, Lee Tracy. Tracy left behind a body of film work that deserves more attention than it gets. Add to this, Una Merkel, Pat O'Brien (who has a surprisingly small part) Frank Morgan, and Franchot Tone, who is rarely brought to mind in a comedy role. The dialogue is fast, bright and very witty. The plot is, for the most part, plausible. It is a very funny satire of the workings of the Studio system of the early Hollywood years. As for the eye candy - if you've never watched Harlow flounce her way through a pre code movie.......