Self-important, over-dramatic, uninspired.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Close shines in drama with strong language, adult themes.

Amazing worth wacthing. So good. Biased but well made with many good points.

Eddie finds himself being forced at a gunpoint, by an unseen assailant, on a dark and brutal journey through the harsh terrain of the Mojave desert. His nemesis is Jimmy, a man with an aberrant agenda; armed with a rifle, a scope, walkie-talkies and a truck, he has organized a series of ambushes and mantraps designed to push Eddie to the limits of his humanity and beyond. Lance Henrisken and Luke Goss give 2 amazing perfomances in this 'cat v.s mouse' action drama called 'Bone Dry' plus the movie has some terrific plot twists with the ending being one of the best i have seen in a while and each torture scene was more suspensful than the other and each puzzle comes full circle by the end. (A+)

Eddie (a fine and credible performance by Luke Goss) gets forced at gunpoint by the ruthless and vengeful Jimmy (superbly played with total conviction and fierce intensity by the always dependable Lance Henriksen) into the Mojave Desert where Jimmy has set up a series of traps and challenges in order to test the limits of Eddie's endurance and survival instincts. Is Eddie just a victim of hapless circumstance? Or does Jimmy have a valid reason for putting Eddie through this punishing ordeal? Director Brett A. Hart, who also co-wrote the crafty and absorbing script with Jeff O'Brien, relates the gripping story at a steady pace, makes the most out of the dusty'n'desolate isolated setting, ably milks plenty of sweat-inducing suspense from the edgy game of cat and mouse between the two central characters, delivers a few jolting moments of raw brutal violence, and tops everything off with a cool surprise twist ending that effectively shifts the viewer's sympathies from one person to another. The strong acting by Goss and Henriksen keeps the picture humming, with Henriksen a particular stand-out throughout as the relentless and determined Jimmy. Popping up in nifty small parts are Dee Wallace as friendly diner waitress Joanne, Tommy 'Tiny' Lister as menacing thug Mitch, and Carl Buffington as eccentric New Age drug dealer Marty. Scott Glasgow's moody score further pumps up the tension. The striking yellow-hued cinematography by John Darbonne and Kevin G. Ellis vividly captures the unsparing severity of the merciless desert heat. A real nice nail-biter.

Lance Henrikson admirers will be happy to know that he delivers another solid performance. Unfortunately the script keeps him in the shadows for most of the film, as the mysterious torturer of Luke Goss. "Bone Dry" is a classic example of a no surprise surprise ending, and why everything is revealed in the trailer is another mystery? At times, the film really doesn't play fair with the audience, especially in the beginning, where you get the distinct impression that Henrickson's and Goss's characters never met. The script is underdeveloped, redundant, and about fifteen minutes belongs on the cutting room floor. Marginally recommended, except for squeamish viewers who might want to avoid the sadism. - MERK

*SPOILER*The story here is simple. Luke Goss (Blade II, rubbish 80s boy band Bros) is held at gunpoint in the desert, given a compass and map by Lance Henriksen and told to head north. Henriksen turns out to be a very nasty character indeed, torturing Goss with water deprivation, burial in sand, and in one very Saw inspired sequence, a cactus and a pair of handcuffs.The problem is that the film simply doesn't maintain the suspense long enough. The dialogue is uneven and repetitive (amusingly highlighted by Henriksen's character himself at one point) and the addition of three needless characters do nothing but stretch out an already flimsy premise to breaking point. Very early on there are pieces of dialogue dropped in, leading you far too quickly to arrive at the conclusion that Luke Goss may not actually be a very nice chap himself.It's not entirely without it's charms though. Lance Henriksen is on top form (very reminiscent of his Near Dark character at some points), Goss himself is pretty decent, and you really do feel the suffocating desert heat, but by the time the conclusion arrives along with it's glaringly obvious "twist" you're just left with the feeling it was merely a padded out episode of Alfred Hitchcock Presents.