Touches You

Lack of good storyline.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I found Born to be Bad quite interesting and entertaining but it was the courtroom scene that rang bells with me. A young brat has been hit by a truck whilst skating in a dangerous manner and a shyster lawyer attempts to take the truck's owner who happens to be rich for all he can. The boy recounts his injuries and is transparently led by the lawyer through a series of claims concerning his inability to play, learn and otherwise enjoy life since the accident. Does this sound a lot like a Simpsons episode to anyone else? It gets better. When the boy's claims are exposed through film evidence as fabrications, his flustered lawyer objects and I quote: "This is immaterial, irrelevant ...inconsequential and has no bearing on the case." Does this sound a bit like Jackie Chiles from Seinfeld? This is not a criticism of The Simpsons or Seinfeld but it is indicative of how little life and comedy has really changed over the years. Bogus litigation and shyster lawyers have always been and will always remain good for a laugh.

Loretta Young looks angelically beautiful as an immoral young woman, radiant in all of her many close-ups. Her eyes have such an innocent beauty despite the fact that her character is supposed to have the sort of hard edge usually assigned to Harlow or Crawford. The story asks us to believe she had an early pregnancy from a man who deserted her and left her with a bratty son whom she smothers with mother love while garbed in glamorous clothes.It also asks us to accept Cary Grant as a wealthy millionaire who takes pity on her situation and invites the boy to live with him in his posh home in the country. Grant seems a bit ill at ease here, and clearly had not yet fully developed his typical Cary Grant persona. Still, it's interesting to see both he and Loretta cast against type in this kind of story. I don't agree with harsh words about Jackie Kelp's performance as her son. I found him reasonably believable in the part although he did look more than the supposed seven years. Loretta's scheme is to ingratiate herself with Grant so that she can steal the boy back even though Grant can give him everything.The weak, abrupt ending is probably due to production code etiquette which was still having a hard time with all the sordid ingredients implied by the script. It's an unsatisfying ending for a story that could have been developed with more care for the downbeat ending.Minor characters are very underdeveloped, notably that of Henry Travers as Young's loyal friend.Summing up: More of a curiosity piece for Loretta Young's fans than anything else--and she was definitely a vision of beauty in her early 20s.

Born To Be Bad takes the unusual step of casting the normally wholesome Loretta Young as a bad girl. She's not only a woman of easy virtue, she's got an out of wedlock kid to prove it in the person of young Jackie Kelk. She supports herself and Kelk with a job at Henry Travers's bookstore.But Loretta thinks she might have hit the mother lode when Kelk gets hit by a dairy truck that belongs to rich farmer Cary Grant. She's going to follow the American dream of getting rich by suing somebody with deep pockets. And she's got an attorney in Harry Green from the whiplash Willie Gingrich school of shyster attorneys to help out. But Grant's attorney Paul Harvey gets the goods on them.For a film which strays into The Fortune Cookie territory it then takes the road to Stella Dallas as Grant and his sterile wife Marion Burns offer to adopt young Kelk to give him a decent home. Loretta's down, but her bag of tricks is far from empty.Young was already a star and Cary Grant was up and coming, but hadn't quite found his niche yet in comedy. He's a serviceable leading man her nothing more. As for Loretta she was certainly one sexy package when the picture called for it. Born To Be Bad will never be rated in the top films of either Cary Grant or Loretta Young, but it did no harm to either star.As for the ending, think Stella Dallas.

Loretta Young looks gorgeous. She gets to wear a lot of clothes. It's a little hard to buy her as an amoral, manipulative man-trap. But she works hard and this is partly because we know her oeuvre.I have recently watched a lot of her early movies, which are not substantial enough to comment on. These include "Road To Paradise," "Party Girl," and "Big Business Girl." These are all early sound pictures and very creaky.Here, though, Young is costarred with youthful and handsome Cary Grant. He hasn't quite become the Cary Grant who is rightly a fable in the history of Hollywood. But he's of course handsome and they are well matched -- if not necessarily plausible romantically.The rest of the cast is OK. But the director was Lowell Sherman, who was excellent and has been underrated in later decades.