Overrated

best movie i've ever seen.

A lot of fun.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

it took me so long to watch this movie. It is one of the many that stayed on the shelf for months, that I started watching but "didn't feel"...Today was the day I did.Someone wrote "schockingly beautiful", and I can only agree.There was some real chemistry between the main actors (and 1 actress!), and I got sympathy for almost all of them (although the villain played his role very well, too). Not being a native English speaker, I had some problems withe the accents, at times, but sometimes words are not that important, it's the eyes, it's the acts, it's... a lot more than words.Is this a "gay themed movie"? I really don't know. Assuming Brendan Behan was bisexual, you could call it a "coming of age" movie, as USA-ers like to do. I don't know, this was just a very beautiful movie.I didn't know Brendan Behan before, but I shall do some research and try to read him (if I can find his works here in Brussels...).Based on the emotions I felt, this is a magnificent 10/10!

Brendan Behan is a young Irish that understands the consequences of his actions when it's too late. Carrying explosives for the IRA, Brendan is apprehended during the first sequences of Peter Sheridan's film.Here there is clearly a disruption between the boy's wishes and his actions. For undisclosed reasons he has perpetrated a most dire action against the integrity of the United Kingdom. Or he has had such a purpose, anyway. How far can one go when insurgence seems to be the only way out? In a troubled time, in a troubled Ireland, Brendan Behan risks everything and he fails.He is arrested and sent to Borstal, to become yet another Borstal boy in a most peculiar penitentiary facility. Deprived of his liberty, he treats Charlie Milwall with hostility, although later he will develop an intense friendship with this young inmate.Behan is blinded by ideology. After all ideology is nothing more than a social construction which pertains many ambits of society. One could talk about the heterosexual normative as an ideology so strongly rooted that seems impossible to vanquish. In this case, the most obvious ideological weight comes from the ties Brendan has with the Irish Republic Army.Authors as diverse as Daniel Bell and Albert Camus have written about the end of ideologies. Ideology can blind people and will always be influential in the way they see the world, regardless of the positive or negative outcome of this process, ideology is a perception of the world that leaves as strong a mark as one's own body or personal history. It's then logical that Brendan struggles to be faithful to the IRA's ideology failing over and over again.Ideology also blinds Brendan when it comes to his true feelings. He tries to convince himself that he loves the warden's daughter. That is why at first he angrily repels Charlie's harmless advances. But then, very slowly, he starts to give in. They share one precious intimate moment before some prisoners attempt to abuse the warden's daughter. As a result Brendan has mere seconds to decide who he should protect. Must he embrace the norm, id est, heterosexuality or could he accept the forbidden, id est, homosexuality? Once again he denies his true self, and in doing so, he forever condemns Charlie to oblivion. Just as in the beginning of the film, Brendan will fully understand the consequence of his decision only when it's too late to change it. When he realizes there is nothing left to do, he truly opens his eyes. Ideology has fallen apart: his allegiance to the IRA is over, as well as his relationship with the warden's daughter. Brendan is at last, literally and metaphorically, free.

In a British labor camp for lads in 1942, youthful Irish troublemaker Shawn Hatosy (portraying Brendan Behan, upon whose remembrances the film is based) comes-of-age, sharing a bumpy but intense friendship with a gay teenager and timidly romancing a local young lady as well. Curious drama apparently made with the well-intentioned goal to show the burgeoning political activism of a determined man, and how his upbringing molded the figure he was to become, but too many of these boyhood antics are overly familiar (the playful romping on the beach which precedes a tragedy, the sneaky drinking and smoking during movie-time, the somewhat campy play which brings down the house). The acting by the handsome juveniles isn't bad (though the director tends to overdose on their aw-shucks smiles and faraway glances), Michael York--despite seeming a bit tired and distanced from the proceedings--is well-cast as the camp's director, but the point of the relationships is never made clear, the emotional center of the story seems to be missing. Obviously, Behan was not homosexual, though he did greatly admire his friend, yet the struggles of the gay teenager are hardly touched upon--he's treated more like an afterthought in the story rather than an important character--and one aches for more intimacy here, more substance. The film has an effectively washed-out look and has interesting locations, but the drama isn't gripping nor enticing because the handling is so aloof. ** from ****

I was sitting in front of the TV flicking through the film channels trying to find a film I haven`t seen before : " Seen that . Watched that , that`s total crap " and grew more and more frustrated at trying to find a film I`d never seen before . The only reason I started watching BORSTAL BOY was it was the only movie on TV that night that I hadn`t seen and wasn`t too impressed when the TV guide described it as " An affecting coming of age drama about IRA saboteur Brendan Behan " so I was expecting another film about the peace loving pacifists of the IRA no doubt financed with money from the ailing British ( And spot the irony of that ) film industry , but I was pleasantly surprised by BORSTAL BOY . It`s quite a charming little film , very well written and acted by a largely unknown cast My only real problems with the film is that it perhaps tries a little too hard to be likeable . With the exception of Del none of the young crims come across as being violent criminals . Also I`m just not sure how " true " this true story is because I had the instinctive feeling that a few of the facts had been changed in order to give BORSTAL BOY a more dramatic impact , some of the friendships seemed unlikely and being assigned to HMS Prince Of Wales ! How unlucky is that ?But if you take the facts with a pinch of salt you`ll certainly like this film , especially if you found SCUM to be such a turn off due to its unrelenting violence . And keep an eye out for the names Lee Ingleby and Danny Dyer . You might be hearing a lot more of them in the future