Horrible, fascist and poorly acted

Admirable film.

A different way of telling a story

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The Bosko cartoons may not be animation masterpieces, but they are fascinating as examples of Looney Tunes in their early days before the creation of more compelling characters and funnier and more creative cartoons.While there are better Bosko cartoons, there are also worse. 'Bosko's Holiday' is watchable, but only just a little above average, so as far as Bosko cartoons go in ranking it's somewhere in the middle. As ever with a Bosko cartoon, the story is slight, would actually agree that it's even more slight and more generic than usual. There are some inventive gags here, but they don't come consistently and others are forgettable and tired in timing.Another issue is Bosko himself, not an interesting character and not a particularly endearing one either. Honey is not a great character either, but fares better, having some charm and not being annoying. Pacing has its slow spots too.On the other hand, the animation is not bad at all. Not exactly refined but fluid and crisp enough with some nice detail, it is especially good in the meticulous backgrounds and some remarkably flexible yet natural movements for Bosko. The music doesn't disappoint either, its infectious energy, rousing merriment, lush orchestration and how well it fits with the animation is just a joy.As aforementioned, some of the gags are quite inventive, like the beginning gag, the part with the doghouse and the car and the ending.In conclusion, a one-time watch but will never be a favourite any time soon. 6/10 Bethany Cox

. . . would baby cars be called "carries?" is the question BOSKO'S HOLIDAY begs. Near the beginning of BOSKO'S HOLIDAY, he whistles for his car AS IF it were a dog, and the car emerges from a building without a garage door drawn to look like a typical doghouse, loping along dog-like on all fours (tires), soon followed by three baby cars, or carries. Of course, there are not very many current Carries of note listed on this site, and perhaps the most remembered--Carrie Fisher--passed on to a Galaxy Far Far Away, it was announced at 10 AM Hollywood time this morning. (I assume Carrie Coon still survives, but her most notable role was Nick's sister Margo in GONE GIRL, which isn't saying much, and you can only count Sissy Spacek (1976) or Chloe Grace Moretz (2013) as Carries for a year, at best. About the only other remarkable thing about BOSKO'S HOLIDAY is its closing warning about backdoor sex, when Honey's actual dog emerges from a hollow log at 6:48 and licks her rump when neither she nor Bosko can see what's going on, causing Honey--who had apparently whispered a request about going over to the Dark Side into her ear, upsetting her, earlier during their picnic--to slap Bosko in the face (as he would have deserved, had HE followed his Dark Heart and done the actual A***Ingus himself).

Bosko's telephone can't get its owner to wake up no matter how insistently it rings. The phone beats the alarm clock (also sleeping) with its receiver and orders it to wake up their owner. The panicky clock can't get him up either -- not by its own ringing nor by hitting a brush against his bedpan. In desperation, the clock stabs Bosko in the rear with its hand. Bosko wakes up screaming, and sleepily answers the phone. It's Honey. She wants to go on a picnic.Bosko cranks up the car, sends home the little baby cars that try to follow and drives to her place. Soon the two sweethearts are off to the woods. Bosko easily fixes a tire that his dog bit a hole in. He has less luck winning Honey's forgiveness after whispering an ungentlemanly suggestion in her ear."Bosko's Holiday" has even less plot than usual. There isn't even the usual calamity to provide excitement. The gags are crude and rude: at one point, Bosko tries to make Honey hungry by chewing noisily with his mouth open. The short is further undermined by later entries that have scenes and gags nearly identical to this one. The film feels like a generic-label Bosko cartoon.

Since the previous reviewer and the summary mentioned some of the gags and the story, I'll mentioned some that haven't been discussed yet. Like the one where Bosko summons someone from a big doghouse. Out comes not a dog but a car with a personality of its own with some little car children following him before Bosko sends the kids back home before saying, "Ain't that cute?" (He says that a lot in the cartoon). Also, at the end Honey turns her back on Bosko when he whispers something in her ear. He successfully tempts her with a sandwich. She goes back to him. Then the dog that had been following them all this time (was that an early version of Bruno?) lifts Honey's skirt. Honey thinking that was Bosko, leaves with Bosko saying, "Aw, nuts!"...I loved the beginning gag with the telephone and alarm clock making movements to wake Bosko up in the beginning and the one where the dog bites into the tire and blows himself up as a result. The rest was eh. Still, recommended for anyone with an interest in early Warner Bros. animation.