It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It's entirely possible that sending the audience out feeling lousy was intentional

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Neil McGill (Robert Young) is a very spoiled son of a rich man. For the second time, he's missed his wedding with Abbie. Although he claims to love the woman, it's certainly not apparent. But his dippy mother (Billie Burke) wants to try to salvage the relationship and insists on taking Neil to Europe to get a note from a famous psychiatrist that says Neil was suffering from amnesia! However, some unexpected things happen...such as his falling in love with a poor lady (Annabella) as well as wanting to finally make something of himself.This is a modestly interesting story. However, it's also a bit of a hard sell because through so much of the story Neil is unlikable and a bit of a spoiled jerk. Had be been less dislikable the story would have worked a bit better.

MGM B-movie with a lively cast, but more entertaining than amusing. The 70- minutes has elements of screwball comedy, popular at the time. However, the Young- Annabella pairing proves more likable than funny. Contrast this with the Grant-Hepburn pairing in Bringing up Baby (1938). The differential may well be due to the directors: the legendary Hawks in the latter, a relative unknown Thiele in the former. In short, the actors sparkle here, but there's little overall synergy that would build chuckles instead of spreading them out.Young plays a rich man's wastrel son who likes binges better than his wedding day, which he has drunkenly forgotten. As a result, his fed-up dad (Lockhart) disowns him, while a desperate mom (Barnes) sends him to Switzerland for analysis and therapy. There, he meets charming hotel worker (Annabella) and tries to seduce her. She's tempted but senses his irresponsible nature. The question is whether he will ever change his worthless ways.I agree with others-- the phony mountain sets are nevertheless both impressive and scary. But then, MGM didn't skimp, even with programmers. Note too, that there's a class element underlying the plot. The script makes clear that Young's character is deformed by an easy life of family wealth, while Annabella's solid values are rooted in a strong work ethic. And catch that episode aboard ship, where a richly attired Young strays into steerage only to get roughed up by working class men. After all, it is 1939 and class issues are a lively concern.All in all, it's an unexceptional 70-minutes, most notable for a lively and colorful cast.

In London, idly rich Robert Young (as Neil McGill) sobers up with a shower and rubdown. He remembers it's his wedding day, but arrives too late for the ceremony. It's just as well, because Mr. Young goes to Switzerland and meets attractive blonde Annabella (as Luise Anzengruber). For the first time Young thinks he's really in love. He wants to end his selfish playboy ways and marry Annabella, but Young's family expects him to wed his London fiancée. After this film, bride the French actress Annabella took a break from movie-making and spent some time with new real-life groom Tyrone Power. "Bridal Suite" succumbs to the limited appeal of Young and Annabella as a romantic couple.**** Bridal Suite (1939-05-26) William Thiele ~ Robert Young, Annabella, Walter Connolly, Billie Burke

Before the paternalism and the pipe, Robert Young played charming, rich wastrels and heavy-drinking womanizers, all charming and sympathetic. MGM put him in quality B+ productions of which this is one, a light romantic comedy that borders on screwball with Young the screwy one. He is in top form, as is the entire excellent cast. MGM's typical blitheful avoidance of little old WWII, alluded to twice in jest, as the setting shifts from wartime England to Switzerland to transatlantic liner is a big downer. That and supposed-to-be-funny-but-never-is Arthur Treacher in a small role. Oh, and the whole lame and overworked premise that honest work will cure Young of his scalawag ways, though it provides Annabella material for her one and only laugh in the finale. It's big enough to keep you happily laughing as the end credits appear.Incidentally, how many movie feature musical numbers with zithers. The Third Man, of course, and Sunnyside Up with Janet Gaynor (an extremely great movie musical moment) and this movie (not so memorable).