The Age of Commercialism

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

In the early 1970s, TV wanted Richard Widmark and "Brock's Last Case" was a made for TV movie that might have become a TV series. However, it wasn't received so well by the powers that be and instead they gave the green light to a different Widmark show, a TV version of "Madigan". I have never seen the TV version of "Madigan" but movie-wise, the original "Madigan" is much better than "Brock's Last Case"...so I can see why they made the choice they made.When the film begins, Brock (Widmark) is working on his final case for the NYPD. He's had enough and is retiring to an orange ranch he bought some time ago. However, apparently Brock is a total moron and never visited the place and just assumed it was peachy...which it wasn't. Instead it's a dump and Brock knows nothing about orange growing. However, soon his focus is on a murder--and the local police would love to have Brock's help...and so would Brock's supervisor at the ranch, as he's the accused killer. The film is just okay. Part of the problem was using arrows to kill people--it just seems silly. The rest is that the killer was some fat old guy who was about as scary as the Pillsbury Doughboy. Not brilliant but passable entertainment only.

Richard Widmark stars as a New York City detective who is not happy with the new trends in law enforcement, things like Miranda you know. Also citizens aren't showing the same kind of respect for police as they used to. This last arrest he swears will be Brock's Last Case as he retires to an orange grove in southern California that he put money down on.As it turns out though Widmark's professional expertise is needed because the sheriff was murdered and the man looking good for it is Henry Darrow the American Indian who has been looking after Widmark's orange grove and not too successfully I might add. The acting sheriff is young Michael Burns and he needs all the help he can get.In this sleepy town in which folks like Will Geer and John Anderson are trying to get a real estate boom started Darrow and his tribe aren't very popular. A lot of people would see it most convenient if he was guilty. Darrow looks good because the sheriff and two more people are killed during the course of the film with his arrows.Brock's Last Case might have been a good television series, but it was never picked up. With the cast list I wonder how it could not have been. I did like Beth Brickell who was a neighboring rancher and an attorney who has ACLU instincts. She would have been law and order cop Widmark's romantic interest and professional rival.Widmark did do a series based on Madigan one of his best films, but the series wasn't a patch on the Don Siegel classic.Brock's Last Case though is not in Madigan the movie's league, but still pleasant viewing.

This film was recently aired on Channel 5.It is at its best when it is based in New York.Although there is the usual fun when a city dweller goes to the country it starts to run rapidly downhill at this time.The action sequences are to my mind tedious and seem to go on for eternity without really reaching any climax.By the time this film reaches its finale one simply does not care about who is the culprit and his motives.The one thing that shines out of this film is Widmarks professionalism and sheer durability.He was always a favourite of mine.It is a shame that he is now retired and so we have no more Richard Widmark films to look forward to.

One of those NBC-TV "World Premiere" movies that also served as the pilot for a series. Richard Widmark plays Brock, a weary N.Y.C. detective who retires to a farm in California where he hopes to grow oranges, but, wouldn't you know it?, he finds crime there, too. Widmark is good, as always, as is Henry Darrow, whom the tough former cop assists when he is framed for murder, but the best moments are at the beginning when Widmark is still on the Manhattan beat, finding the average law-abiding citizen as disagreeable as the criminals. It's little wonder that when Widmark did enter the TV series sweepstakes, it was as "Madigan," the N.Y.C. detective he had memorably played several years earlier in a Universal theatrical film.