It's fun, it's light, [but] it has a hard time when its tries to get heavy.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Mostly, the movie is committed to the value of a good time.

Story: It's very simple but honestly that is fine.

There's only one thing that distinguishes this A.C. Lyles western from the rest of that producer's crop: This one was not filmed in some shonky widescreen process but lensed in ordinary 35mm – cropped top and bottom for widescreen projection in cinemas. But otherwise, it's the same again. In fact, if anything, it's less appealing. "Buckskin" has a very talky screenplay with a bit of action – mostly at the climax (and even that is somewhat tame, considering the large amount of talk that has gone before). A few outdoor locations have also been utilized – all photographed in somewhat under-lit color. These are interspersed with some obviously studio streets, housing a great collection of old character actors, some of whom appear on screen but briefly. Richard Arlen, for instance, has only one scene, and Joan Caulfield makes a very late entrance. However, she has survived the years better than most, including Barbara Hale. Corey and Chaney act their roles with villainous relish, but Sullivan makes no more than an okay hero in this tepid piece which Michael Moore's slow-paced, TV-style direction using an abundance of unnecessary close-ups, does nothing to improve.

Barry Sullivan of "Forty Guns" plays a buckskin clad lawman with a half-breed Indian son in director Michael Moore's hackneyed frontier western "Buckskin" who must clean up the town of Gloryhole, Montana. Meanwhile, Wendell Corey is the city slicker who owns this dusty little town and has built a dam to dry up the sodbusters and drive them away. The villain's plans appear to be working out nicely until Marshal Chaddock (Barry Sullivan) rides into the valley and on a crusade to bring law and order. The villain tries to bribe our stalwart hero, but Chaddock turns the money down cold. He has come to make a new start for himself after his Native American wife passed away from small pox. Furthermore, Chaddock is set on giving his own buckskin clad son a makeover into a white kid. Along the way, Rep Marlowe (Wendell Corey), tries to buck him. Paramount Pictures producer A.C. Lyles made this potboiler with six-guns in his usual style. He has resurrected several saddle sore stars for this 1968 production who made westerns in the 1950s. Joining Sullivan and Corey is veteran western character actor John Russell of the TV series "Lawman"; Russell went on to star opposite Clint Eastwood in "Pale Rider." He plays a vengeful, ex-cavalry officer named Patch for the patch he wears over his scarred face. He wants to kill Chaddock. Joan Caulfield is a dance hall girl who was once the town's school teacher. Lon Chaney, Jr., is the corrupt town sheriff that Marlowe keeps in his pocket."Killers Three" scenarist Michael Fisher's screenplay qualifies as predictable pabulum from star to finish with minor surprises. In other words, a couple of people that you don't think will bite the dust end up dead. The dialogue brims with clichés and sometimes these people wax loquacious. Half-way through the action, the grudge-bearing gunslinger named Patch changes sides before the big showdown. Marlowe has aligned the miners with him against Chaddock and the sodbusters and storekeepers. If you enjoy old-fashioned westerns (this one was lensed on the Virginia City set of TV's "Bonanza," then you will find this comforting and reassuring. Sullivan gives his usual amiable performance and Corey is dastardly as the well-heeled antagonist.

Not all bad for a late (1968) version of a familiar theme, with an interesting cast - not least the normally aggressive Leo Gordon playing one of the world's losers (though he does toughen up later on).The only real fault was the way that several characters' attitudes changed rather too quickly from being antagonistic towards the marshal to supporting him. And didn't Sullivan recover quickly from his night of fever after his rattlesnake bite; apparently he nearly died twice, but the next morning he was fit and ready for his concluding heroics.Wendell Corey does very well as the town boss, and I wish we had seen more of John Russell in Westerns; he has the longest speech in the film when explaining his "history" with Sullivan, and he puts it over well.

BUCKSKIN (1968) is one of thirteen low-budget westerns churned out at Paramount Pictures in the 1960s by producer A.C. Lyles. The distinguishing feature of these westerns was the peppering of the casts with former Hollywood stars getting one last shot at cinematic glory. Here the cast is led by western stalwart Barry Sullivan and includes such former Paramount contract players as Joan Caulfield, Wendell Corey, and Richard Arlen, backed by such other veteran performers as John Russell, Lon Chaney Jr., Barbara Hale, Bill Williams, Leo Gordon, George Chandler and Barton MacLane.The hackneyed plot features Sullivan as a marshal seeking to bring law and order to Glory Hole(!), Montana, by stopping the land-grabbing tactics of gambler Rep Marlowe (Corey), who's aided by an eye-patch-wearing hired gun (Russell) and a portly, corrupt sheriff (Chaney). The townsmen, including a kindly doctor (MacLane), are loath to help Sullivan because he seems to be outnumbered, but gradually Sullivan enlists such allies as a homesteader couple (played by husband-and-wife acting team Williams and Hale); the old storekeeper (Chandler) and his Chinese assistant (Aki Aleong); a drunk who lost all his savings to the gamblers (Gordon); and a schoolteacher-turned-saloon girl (Caulfield). Each of the cast gets their chance to emote, making this film much talkier than it needed to be, but also ensuring the participation of name performers who would have balked at mere cameo appearances. After the sturdy Sullivan (always a dependable western star), Russell comes off best as the conflicted hired gun with a complicated past.There are a couple of interesting racial twists provided by Sung Lee, the Chinese worker who is a victim of prejudice and comes to respect Sullivan for standing up for him, and Sullivan's young half-Indian son (Gerald Michenaud), whose presence at the side of Sullivan causes a bit of controversy.It's not the best of Lyles' westerns, nor is it the worst. It moves well and the cast always keeps it interesting, even during its slow and talky moments. There are a few shootouts, including one sprawling gun battle with Corey's henchmen at a dam that Sullivan is trying to open to get the homesteaders their necessary water. Western fans will find a few pleasures here and will no doubt wonder why more Lyles westerns are not available on home video.