SERIOUSLY. This is what the crap Hollywood still puts out?

Masterful Movie

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

The third and weakest of the Paramount series, "Bulldog Drummond's Revenge" seems to run much longer than its 57 minutes, thanks mostly to the exasperating "comic relief" contributed by Reginald Denny, and the boring clichés of its ho-hum, stolen secret formula plot. Although the climactic action is set on a train, director Louis King proves unequal to the task of providing suspense, let alone atmosphere. Top-billed John Barrymore actually has an extremely small role as Colonel Nielson (he's given a big introduction and then virtually disappears), while Louise Campbell makes little impression as Phyllis Clavering. No match for Ray Milland's Bulldog, super-spruce John Howard even allows scheming heavy, Frank Puglia, to steal the picture.

I had never seen one of these before, so I wasn't aware of the dynamics of Drummond, his fiancée, the butler, and the scatterbrained friend, Algie. Obviously, the play for humor often trumps the seriousness of the events unfolding. In this one, a secret explosive is concealed in a suitcase that finds its way from person to person, with most not knowing that even a small amount of the junk could send everyone up in smoke. The suitcase is jarred, thrown, kicked, run with, but, of course, remains inert. The byplay with the regular characters is okay, once you get used to the fact that 1937's humor is a bit different than 2006. The one character that I couldn't tolerate was Algie's significant other who cackles and squawks and runs off at the mouth. Once we get into the intrigue and figure out who is who, it is a nice little spy story. Drummond, of course, is the playboy type never becomes flustered and treats things that are deadly serious as a joke. One thing that has bothered me in the three I have watched is how seldom the character listen to each other.

This is a pretty good, if unspectacular, Bulldog Drummond feature with the usual good cast and a story with plenty of action plus a little humor at the right times. The story is a little less imaginative than the ideas in some of the other features in the series, but it makes up for it with plenty of action that keeps things going.Most of the story-line revolves around a secret new explosive that a scientist has invented, which the villains would obviously love to get their hands on. Some of the better moments come when the main action interferes with Drummond's plans to marry Phyllis (Louise Campbell), while flustering the befuddled but ever-helpful Algy (Reginald Denny).John Barrymore is always good fun as Colonel Neilson, and he makes good use of his opportunities here, while E.E. Clive does likewise as the quick-witted Tenny. It's a good feature that should satisfy any fan of the series, though its fairly familiar plot ideas and rather nondescript villains keep it from being one of the very best entries in the series.

This is one of the better entries in the Drummond series. Three of the best entries are from 1937. The real reason they are better may be because of the writer, Edward T. Lowe Jr. He wrote this one as well as 1937's Bulldog Drummond Escapes and Bulldog Drummond Comes Back.The pace is quick, the dialog good, and there is some very nice physical humor throughout that features reasonable exaggeration without being too farcical. John Barrymore's more restrained performance as Col. Nielsen helps to highlight his bits of physical humor. The supporting cast is in especially fine form.The plot centers on the theft of a powerful explosive and our hero's efforts to retrieve it and solve the murders associated with the theft. There is nice touch involving a hand and arm.Lastly, if don't like to see women faint, stay away!