Awesome Movie

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Read Dorothy Sayer's Busman's Honeymoon, then you'll understand why this movie is so disappointing. I don't blame the actors. I blame the script writers. They messed with the basic characters of the major characters. The very basis of the Wimsey Vane marriage was clearly outlined in the book that neither wanted to change the other and yet in the very first scene that is precisely what they proposed to do. Bunter was a joke. Please see the Bunter actors in the later TV adaptations for a much much better idea of Bunter. The screenwriters talked down to their audience at every chance. Example: Lord Peter introduces Harriet Vane as Lady Wimsey!! I cannot imagine why the screenwriters felt they had to make these fundamental changes in character. Read the book. I hope someone will want to make a decent movie of the original. Someone who loves the characters.

This was one of the MGMfilms made at Denham studios prior to the construction of their studios at Boreham Wood.Probably made in the UK to take advantage of the me quota requirements introduced by the 1938 act.This gave double quota for more expensive films.Michael Balcon was briefly in charge till he clashed with Louis B Mayer and left for Ealing.The problem with this film is that it is far too long.It spends the first 20 minutes without starting to advance the plot.The result being that by this time you have lost all interest in the film and therefore by the time the film really starts you could not care less.Looking at the credits 3 writers get credit but it probably had the input of many more.So. it becomes something of a dog's dinner.Any thriller made at Merton Park is better than this

Watchable but missable adaptation of Dorothy Sayer's novel about just married amateur detectives, Lord Peter Wimsey and crime novelist Harriet Vane (now of course Lady Wimsey) Attempts to add whimsical comic touches fall short of the mark and the detective mystery doesn't really grip either. Shown in the UK as Busman's Honeymoon, but in the US and also these days on TCM as Haunted Honeymoon - a pointless and misleading change.

A titled amateur detective & his mystery-writing bride spend a BUSMAN'S HONEYMOON when a murdered corpse is discovered in their new Devonshire home.Beginning with its first release in 1938 and for several years thereafter, MGM maintained a sister studio in England. In this way she could take advantage of the wealth of British acting talent available, and also get around the UK restriction on the import of foreign films. American stars were often sent over to take the top roles, an increasingly dicey maneuver as the Atlantic became dangerous with Nazi U-boats. BUSMAN'S HONEYMOON (called HAUNTED HONEYMOON in the USA) was one of those films.BUSMAN'S HONEYMOON, while not unpleasant to look at, is not without its flaws. The mystery isn't all that enthralling, but the main difficulty seems to lie in Robert Montgomery's portrayal of Lord Peter Wimsey. It just doesn't click. This very fine actor made a career from playing suave, sophisticated characters, which Lord Peter should be, but you can never for a moment forget that this is only Robert Montgomery playing a role; nor for an instant do you believe that this is Lord Peter come to life. And the American accent surely doesn't help, either.The lovely Constance Cummings, as Lady Harriet, suffers much the same fate.A fine gaggle of British actors, including Robert Newton, Leslie Banks & Googie Withers, appear in supporting roles. But the real joy in watching this film is reveling in the rare opportunity to see the marvelous old actor Sir Seymour Hicks, who portrays Bunter the butler. Sir Seymour (1871-1949) had been one of the great actor-managers & dramatists of the turn of the century. With his plumy voice & broad, impish face, he easily steals scene after scene with his stagy intonations & mannerisms.It would take the passage of several decades & the arrival of a completely new medium - television - before Dorothy L. Sayer's hero received superlative interpretations from actors Ian Carmichael & Edward Petherbridge.