Butterfly Kiss
Butterfly Kiss
| 18 August 1995 (USA)
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Deeply mentally unbalanced drifter Eunice roams grim northern Britain committing psychosexual serial murders of both men and women while ostensibly searching for an unknown woman named Judith. She spares the life of lonely but kind-hearted gas station cashier Miriam, who abandons her dismal life to follow her damaged new lover. While attempting to hide the evidence of her multiple crimes, Miriam tries to understand Eunice's bizarre quest.

Reviews
Clevercell

Very disappointing...

Fluentiama

Perfect cast and a good story

FeistyUpper

If you don't like this, we can't be friends.

Bumpy Chip

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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stepstosand

Amanda Plummer ravages through this film like a wounded hyena starving for what may be it's last meal come flood or high water. She may be Hollywoods best actress, but does she give a crap. I thinks not. Hollywood gives Oscars for cute models who show a talent for walking talking and chewing gum all at he same time. And if she can make herself ugly for a role, Hollywood seems astounded at her courage. Plummer can not only chew these little girls into so many wads of Jamaican licorice stick, but in this role as Eunice, she makes Robert DeNiro look like a neutered cub scout. This is as powerful a performance as you'll see. And on top of that her English accent is superb. There aren't any other actresses in Hollywood that could play this role. Maybe Renee Zellweger could come close. But I doubt she'd have the guts to do it. This is a very disturbing film. But a performance like this would make even the great Kim Stanley cringe.

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humanoid

Seeing that so many people have gone out of their way to denigrate Butterfly Kiss, I feel constrained to weigh in on its virtues. It is not a Hollywood entertainment, nor is it a Jane Austen prestige picture, or a politely naughty comedy for the art house crowd. It's a movie for people who are willing to risk a certain amount of emotional discomfort to gain the benefits of experiencing the world through unaccustomed perspectives. It's for those who want to learn about human beings on the margins of society, the forgotten, the pathological, the lost.It's the sort of film that can't be appreciated without a high tolerance for unsympathetic protagonists, unreliable narrators, unintelligible motivations, and morally ambiguous conclusions. In short, Butterfly Kiss demands an intellectual curiosity and nimbleness of mind that's not always characteristic of American audiences.This is not to argue that it's necessarily a good film, or successful at achieving its ambitions. More than once, while watching it, I found myself wondering how much relation to real people this story might actually have. Unlike Monster, with which it has obvious parallels, Butterfly Kiss doesn't appear to be based on factual events.The film's ability to cause me to "suspend disbelief" suffered from a touch too much Grand Guignol excess and, perhaps more damningly, writerly artifice. (For no clear reason, the protagonists are named "You"(Eunice) & "Me" (Miriam).) But the characters kept on surprising me, which indicates, if nothing else, that there's something vital and alive about this story. By the end, I was moved to pity for these two deeply damaged women, and, perhaps more importantly, I was moved to compassion.For that, I'd sit through an unpleasant movie any day of the week.

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prohibited-name-1770

the only redeeming feature of this film is the fact that it ends, so that you can move on to find something that might further approximate entertainmentit's kinda like - if mike leigh took acid and somehow fused an episode of eastenders with thelma and louise - all set to a soundtrack of bjerk and the gooseberriesavoid this film - in the same way that winterbottom clearly avoids narrative, style, and his own testicles :)detestable, abominable, embarrassing and s***e

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Anne

The title is misleading for a film that really doesn't have anything pleasant about it. Amanda Plummer's character made my skin crawl and still haunts me when watching her other work. I suppose this gives strength to her performance and shows she is a great character actor. Saskia Reeves takes on a role as a wimpish lesbian besotted with Amanda Plummer's character. Saskia usually plays stronger more interesting roles but I suppose it creates contrast. Be prepared for a road movie with a difference. Lots of gore and little compassion.

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