Purely Joyful Movie!

Best movie ever!

Your blood may run cold, but you now find yourself pinioned to the story.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

You get just enough of a peek into the characters to want more and more and you could spin-off anyone of their appealing lives in a full feature film. I'd love to see a Derek spin-off personally as it would make for a fantastic flick. You could have that guy just walk from one end of a street to the other and enjoy what happens.Marty Jackitansky goes rogue, but does it in such a human manner that you feel emotions for the guy you didn't think possible. I wanted to hate him, but in a single scene you're left feeling sorry for Marty, then almost allied with his misguided cause. I didn't want the story to end, but seeing how it plays out into a violent crescendo was just beautiful.It's screams indie with pure perfection and while some films of the same style let you down in the final third, Buzzard just keeps surprising with all the right turns.I can't give it any less than a 10, as it was my film of 2014 and one of the best of its kind in any given year.

Too real. Too uncomfortable. This is coming from somebody who loved The Comedy. But I think that's what the director was going for so I can't blame him for succeeding. The build up to the great ending just feels way too slow and the movie is way too repetitive. It's a short film drawn out into feature length and it feels that, hard. I'm going to keep comparing it to The Comedy. The Comedy was slow and story wise it had even less going on than Buzzard but it was much better filmed and while it doesn't exactly go anywhere it maintains the feeling of like it's going towards something terrible all through the movie. Buzzard has that same weird, uncomfortable tension (and it does build up to something) but it's soooooo slooooooooow.Nice effort. I'm glad it's a thing somebody made. But I didn't enjoy watching a second of it. Which is the point. But there are movies that have made the exact same point better.

Paranoia forces small-time scam artist Marty (Joshua Burge) to flee his hometown and hide out in a dangerous Detroit. With nothing but a pocket full of bogus checks, his Nightmare Power Glove, and a bad temper, the horror metal slacker lashes out.The film starts off strong, great impression of the main character without even showing his face. We then transition to a clever, devious and hilarious bank scene. Which gets better as it goes... heck, the film could stop after the first five minutes and it would be a winner.There is no doubt the creator of this film loves horror. There are references to horror classics like "Nightmare on Elm Street", "Return of the Living Dead", "Wicker Man", "Demons" and "Suspiria". Heck, there is even a full-sized poster for "Leviathan", which is a rare find.In summary, the film is one great scene after another. Treadmill Bugles? Brilliant. The spaghetti incident? Brilliant. Scamming a McDonalds? Brilliant.Some critic smarter than me says the film is "notable for reigniting the angry young man niche, both in aesthetic and voice." Now, whether or not that is true is beyond me. Seems it is hard to reignite anything by itself... would it not have to create a trend? But it does have a man fighting against his own futility -- a futility he largely creates. And there is a message in there somewhere.

This is the sort of film that kind of immediately grabs you from its opening scene, for no apparent reason really. It's not visually stunning or doing anything outrageous, it just has a very clear tone and seems to know what it's doing. The ride throughout is interesting, even if it has some parts that don't entirely work. The directing is smooth and has an off-kilter vibe that many would be proud of. I think this sort of film has the capacity to establish a real fanbase, and I wouldn't be surprised if it did. Overall, the running time also needed to be a little shorter, for such a limited story, but I recommend this uneasy, weird film.