Purely Joyful Movie!

Plot so thin, it passes unnoticed.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The movie reminded me (as mentioned in the movie itself), of R L Stine's Goosebumps' Say Cheese and Die. It was more like a mash up of the Japanese movie Premonition (2004), The Dead Zone, and Dexter. Either way, I did not hate it. It was somewhat unique in its own way and entertaining. Also, what made the movie stand out was the unique soundtrack.

Movie had a good premise and started off quite well but soon went down the toilet with its over the top gore, poor photography and confused story.The music was actually not bad; very reminiscent of John Carpenter and in many places seemed out of place , the plot was confusing - was he actually a psycho and imagining everything which i presume was the end game there wasn't much explanation at the end and it seemed to end too soon. The over the top gore actually began to make it look like a comedy and we started laughing at points when we really shouldn't have!Some poor acting and bizarre plot holes didn't help.Overall it could have been good but ended up in the bargain bin bucket!

For the life of me, I don't understand why Chiller continues to make movies. None of the films have been successful as horror movies, and I actively avoid movies that are made by the network. I rented this movie based on some glowing reviews, and I feel like I deserve to have my money returned to me, and the contents of this movie erased from my memory. It was just awful, boring and tame in the way Lifetime movies are. Nothing about it was scary, nothing about it was particularity well done, and the gore and blood that is shown is tame and limited. The acting was competent, I suppose, but it's unfortunate that the rest of the film is such a travesty. DO NOT PAY TO WATCH THIS MOVIE. This studio really needs to take the hint that their output is not doing anything to advance the horror genre in any meaningful way. SAD!

I saw the world premiere at the 2017 Florida Film Festival and was very impressed with the idea of the film - its presentation - and impact. Jack Zeller, played very effectively by Christopher Denham, is a psychologically damaged photographer back from Afghanistan. He is evidently suffering from PTSA and is trying to get back to doing what he loves - professional photography. As an encouragement, his fiancé, Claire, buys him a vintage (WW II era) camera (naturally made in Germany.)One chilling aspect of the camera is that a camera repair store announces that "this camera is not capable of taking photos." Nevertheless, Jack gets a gig working for her real estate company and takes 10 rolls of film of various settings and properties with this "unworkable" camera. When the film is processed, there are surprising photos which I will not describe (you can imagine since this is a horror film.) How he reacts and tries to deal with these photos is the tension in the movie. The plot is different, well conceived and exciting. The music and sound effects add measurably to the feel of the film and effect of the events being portrayed. Overall it is an excellent effort from first time director Aaron B. Koontz. I look forward to future efforts by Mr. Koontz. If you get the chance to take in "Camera Obscura," please do - very worthwhile.