Cesar and Rosalie
Cesar and Rosalie
| 15 December 1972 (USA)
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Rosalie, a beautiful young woman gets involved with successful businessman Cesar. One day, Rosalie's former flame David appears and attempts to win her back. Cesar reacts with a jealous intensity never before seen by Rosalie, and because of that, she returns to David. She remains conflicted regarding her choice of partner, but eventually, one of the men does something which resolves the situation.

Reviews
Contentar

Best movie of this year hands down!

MoPoshy

Absolutely brilliant

Breakinger

A Brilliant Conflict

Calum Hutton

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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Hardy Hard

Cesar and Rosalie is the 43-rd film of Romy Schneider and shows her of her matured and very serious theatrical side. Unfortunately, this film is a realistic film. Unfortunately, because the reality is not so great normal-wiser also and seldom gives it a successful happy end. Romy the Rosalie plays is together with Cesar, however she does not feel completely happily in her life situation and suddenly after five years her old dear David appears again, so she knows no more what for her the best is. First she goes to David and than she comes again to Cesar. Cesar himself threatens David but that causes the escape from Rosalie. She burns out with David and leaves Cesar alone. So Cesar tries to make a compromise. David can live with them in the same house! But that is not normal and so Rosalie escape both of them and goes away for one year. Now Cesar and David becomes good friends and live together. After one year Rosalie decides to come back. For me was that a strangely end because it leaves open a lot, but I think that was wanted.

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michelerealini

I was amazed from this film! Not only because I usually like Yves Montand and Romy Schneider, but because above all this is a film about human feelings and reactions.Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.

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lionel.willoquet

Two opposite men of character quarrel the love of a woman, who doe not manage to choose among both. A harmless intrigue, transcent by Claude Sautet's stage setting, which brews humor and emotion, the dialogues chiselled by Jean-Loup Dabadie and a magnificent trio of actors.

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Jonathan Doron

-Okay sounds bad. It's good, just not great. "Simple". Very calm, including the loud scenes. A bit predictable. Realistic, well played, smart- never blunt or underestimating the viewer. Romy Schneider is beautiful. Michel Piccoli sums up in the voice over.

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