I like the storyline of this show,it attract me so much

One of the worst movies I've ever seen

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

This is a dark and sometimes deeply uncomfortable drama

Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the many problems experienced by Chinese-Americans trying to assimilate into contemporary American society.It is widely recognized as the first Asian-American feature narrative film to gain both theatrical distribution and critical acclaim outside of the Asian American community. And come to think of it, this seems right -- where are all the "Asian" films? We have plenty of kung fu imports, but where are the home-grown efforts? Where is the Asian equivalent of a "blaxploitation" subgenre? Anyway, this is a fun film that blends mystery, comedy and social commentary. I haven't had the pleasure to go to San Francisco or its Chinatown, but films like this make it all the more appealing.

This is the best depiction of cultural contact I have seen on film. The title points to several layers of meaning, some of which are missed by many viewers. Most obviously, this is a film about real Asian Americans, not the ersatz and offensive characters of the Charlie Chan films. That Chan is missing but not missed. At the same time, the film is a spoof of Charlie Chan films, with Jo the bumbling detective and Steve the number one son, in an outrageously profane update. Finally, the character in the film, Chan Hung, is missing, and his disappearance is symbolic of a passing that is to be mourned much more than the deservedly-forgotten Charlie Chan movies. Chan Hung is the original immigrant, who struggled to survive in his new country but could never shake his love of his original one. His missing image floats through the film like a lost soul, and adds poignance that helps to counterpoint the ribald comedy. Jo is the bridge, feeling Chan's loss, but fully rooted in America: an "ABC"--American Born Chinese. Steve is the impatient third generation, angry that the plight of the immigrants may overshadow the struggles that U.S.-born Asian Americans continue to face. The conclusion of the mystery is as inevitable as it is sad, but the spirit of the characters who inhabit this film is truly inspirational. One of a handful of films that define an essential part of the American experience.

This film is an excellent example of film-making, even though it was apparently made on a shoestring AFI grant. It shows what you don't need -- high production values and special effects -- and what you do need (good writing/direction). In fact, I think it holds its own with all the great films of the past century.This film works on several levels. At the most surface point, it is an amusing sendup of the old Charlie Chan mystery films. Going a little further down it portrays discrimination against Chinese-Americans without showing anyone who is NOT Chinese-American.But let's go a little deeper. At one point, a character pulls out a snapshot of himself and the titular character; he can't really see Chan, whose image is obscured, but he can see himself. The point is, that's about all any of us CAN do -- we can't know others, so the best we can do, if we really try, is to know ourselves. Finally, Chan is missing, and -- spoiler here, spoiler here, watch out, watch out -- Chan STAYS missing. To me, this a a powerful demonstration of the true, sad fact that often what we most want we cannot find -- and sometimes the person we desperately want to see again is exactly the one we will not.

This movie is among the first in Asian-American cinema, and also a very excellent independent film. Very well-directed and visualized, it concerns the misdventures of two gumshoes Joe and Steve, Chinatown cab-drivers in search of the ever-elusive Chan Hong. With a variety of hilarious jokes, looks into Chinese-American culture, and witty anecdotal substance, Chan Is Missing is a classic film, infusing a tradition of mystery and drama into Asian American narrative.