Strong and Moving!

Fantastic!

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Mostly, the movie is committed to the value of a good time.

Elderly gangster Charlie Valentine (Raymond J. Barry) wants to slip into retirement, and decides to pull one last con on his longtime boss Rocco (James Russo). Of course everything goes wrong, and Charlie tracks down his estranged son (Michael Weatherly) for safety. Charlie teaches him the tricks of the trade, and Rocco tracks them down.Director Jesse Johnson impressed me with his previous effort "The Butcher", starring Eric Roberts and Keith David, who returns in Charlie Valentine. His new film has a classic plot that is largely the same as The Butcher, which isn't a bad thing because of how well it's done. Good action, good acting, and a solid plot keep you interested.Barry is a great lead. He says his lines with his trademark growl and as much as you know his villainy you can't help but support him. Weatherly shows his talent and holds his own with Barry. James Russo and Steven Bauer make up the badguys here and turn in some great performances. Tom Berenger and Keith David aren't in this for more than five minutes each but it's nice for them to throw their names into some smaller work.Worth a look if you like the genre or the actors. I give it a nine.

Complete piece of trash...if it wasn't for the over abundance of strippers I would have fallen asleep. I gave it a generous *3 rating due to the strippers crotch shots and the breasts "o vision used in the strip club scenes. Tom Berenger is in the film for two minutes; even he should be ashamed to let them use his face for PR on this film. The trash you get out of red box these days. I guess it was worth a dollar to see "Blondie"<----(stage name) in her Red Negligee and pumps. More pole dances and a little less attempts at acting would have made this film somewhat enjoyable, as it plays now, not recommend. The Cobra vehicle in the film is also a highlight...

First of all I was really looking forward to seeing this movie, I am familiar with all of the players in this film and had heard great things about it. I saw the trailer from the Sacramento International Film Festival and was quite intrigued.As a fiction writer I have to say the story was great, as a screenplay writer I have to say that it was great and it hit all its plot points right on. As an actor I would have to say that the players were at least a 7 out of 10, but direction defeated some. Where it starts to fall apart is with the editing, sound and direction. The cinematography had it's high points but seemed to be defeated by the direction, sound and FX.At points it was obvious that the editor and Foley were rushed to get this finalized.I came in with elated expectations and came away really angry about the final product. I say give it back to a real hard core editor/storyteller and see what comes out of their efforts.

I've seen Jesse Johnson's third and best movie (so far) at the "Action On Film" festival in Pasadena California. This little known cinematographic gem harvested the festival Best picture, Best action Picture, Best Cinematography and the Best Musical Score. Quite a feat for the team led by the talented screen writer and director Jesse Johnson who managed in only 18 days of filming (and with a budget that is considered petty cash in Hollywood) to come up with an action drama movie that isn't only well acted, captivating and entertaining for the action movie fans, but also adds a very human dimension to the classic gangster movie of the old days. Think of the main character Charlie Valentine as an aged Scarface who's ruthlessness and killing instincts are fading away with age and with the realization that in life there are other more important things than money, power and sex. The characters are well rounded and played wonderfully by the main characters, Raymond J. Barry (Training Day) and Michael Weatherly (Gun Shy). The cinematography is top notch - a special mention for the great camera work and image quality. And most importantly, it certainly looks like Jesse Johnson, the screen writer and director of Charlie Valentine who did an excellent job putting this story on screen, is becoming the new flag bearer of the British Invasion in American cinema. Rent or buy the DVD - you won't be sorry.